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Paddy O'Brien (born 13 September 1945) is an Irish accordion player and memoirist, author of The Road from Castlebarnagh: Growing Up In Irish Music and creator of the Paddy O'Brien Tune Collection: A Personal Treasury of Irish Traditional Music, the first published oral collection of Irish traditional music.
Chenier won the 1997 Living Blues' Critics' Poll Award and also an AFIM Indie Award for best zydeco album, for his next release, The Big Squeeze. In 2001, Chenier played in front of 60,000 fans at the Chicago Blues Festival. In 2001 his recording Step It Up! was released, recorded at Dockside Studios in Maurice, Louisiana.
Diatonic button accordion (German make, early 20th century) The term squeezebox (also squeeze box, squeeze-box) is a colloquial expression referring to any musical instrument of the general class of hand-held bellows-driven free reed aerophones such as the accordion and the concertina.
Charlie Gillingham playing the accordion John Linnell performing with They Might Be Giants on a Main Squeeze 911 accordion in Fort Lauderdale on March 12, 2008 "Weird Al" Yankovic playing a Roland FR-7 V-Accordion. This is a list of articles describing popular music acts that incorporate the accordion.
A Chemnitzer concertina is a musical instrument of the hand-held bellows-driven free-reed category, sometimes called squeezeboxes.The Chemnitzer concertina is most closely related to the bandoneón (German spelling: Bandonion), and more distantly, to the other types of concertinas and accordions.
The Cajun accordion is generally defined as a single-row diatonic accordion, as compared to multiple-row instruments commonly used in Irish, Italian, polka, and other styles of music. The Cajun accordion has four reed ranks , i.e., four reeds for each melody button, and each reed bank is controlled by a corresponding stop or knob on the top of ...
"Squeeze Box" is a song by the Who from their album The Who by Numbers. Written by Pete Townshend , the lyrics are couched in sexual double entendres. Unlike many of the band's other hits, the song features country-like elements, as heard in Townshend's banjo picking.
The concept behind Those Darn Accordions was initially conceived by keyboardist and accordionist Linda "Big Lou" Seekins in early 1989. [2] Seekins, who was active in several Bay Area bands including the polka punk band Polkacide, was called up by the owner of San Francisco's Paradise Lounge and offered an open performance slot if she could put together a band in time. [3]
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