Search results
Results from the WOW.Com Content Network
Portugal has had a history of receiving different musical influences from around the Mediterranean Sea, across Europe and former colonies. In the two centuries before the Christian era, Ancient Rome brought with it Greek influences; early Christians, who had their differing versions of church music arrived during the height of the Roman Empire; the Visigoths, a Romanized Germanic people, who ...
There are many styles of folk music, all of which can be classified into various traditions, generally based around some combination of ethnic, religious, tribal, political or geographic boundaries. North, [2] Central, [3] South American [4] and the Caribbean; Asia: [5] East, Southeast, Northern, Central, Caucasus and South Asia
King Dinis I of Portugal, from the Semblanzas de reyes.. In Portugal, an aristocratic poetical-musical genre was cultivated, at least since the independence (1139), whose texts are kept in three main collections (Cancioneiros): Cancioneiro da Ajuda (13th century), Cancioneiro da Biblioteca Nacional (16th, on originals from the 14th), Cancioneiro da Vaticana (16th, on originals from the 14th).
African American; Anglo-American; White Australian; Cajun and Louisiana Creole; Caribbean-British; Immigrants to Australia; Immigrants to the United States; Indian-British; Indo-Caribbean; Irish- and Scottish-Canadian; Irish- and Scottish-American; Latino-American; Tex-Mex and Tejano
The term has tended to replace folk music, which has come to refer to European and Indian rural genres and contemporary American styles based upon these. The term ethnic music , which gave rise to the discipline of ethnomusicology , has also tended to give way to the term "traditional".
Traditional music by country (8 C, 4 P) + ... Irish traditional music; Israeli folk music; ... Portuguese folk music;
Music in History: The Evolution of an Art. New York: American Book Company. Ritchie, Fiona (2004). The NPR Curious Listener's Guide to Celtic Music. New York: Berkley Publishing Group. ISBN 978-0-399-53071-5. Nettl, Bruno (1965). Folk and Traditional Music of the Western Continents. Englewood Cliffs, New Jersey: Prentice Hall. OCLC 265458368.
This list contains musical instruments of symbolic or cultural importance within a nation, state, ethnicity, tribe or other group of people.. In some cases, national instruments remain in wide use within the nation (such as the Puerto Rican cuatro), but in others, their importance is primarily symbolic (such as the Welsh triple harp).