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[3] Gretchen Wheelock refers to the trios as "incredible," adding that "the late works especially are brilliantly virtuosic, exploiting the full idiomatic range of the instrument [i.e., the piano]. They are also among the most harmonically adventurous of his works in any genre, often reaching into remote keys via enharmonic modulation .
The Jacques Loussier Trio was a French Third Stream jazz piano trio, led by pianist Jacques Loussier, that became known for its jazz interpretations of European classical music. [1] They were colloquially known in France as "le trio Play Bach" after the title of their first LPs.
Trio 3 was a collaborative American jazz group whose members were saxophonist Oliver Lake, bassist Reggie Workman, and drummer Andrew Cyrille. The trio existed for roughly 35 years: the musicians first played together in the late 1980s, [ 1 ] and the group disbanded in February 2022.
Frédéric Chopin's Piano Trio in G minor, Op. 8; Antonín Dvořák's Piano Trio No. 4 in E minor ("Dumky"), Op. 90; Gabriel Fauré's piano trio, Op. 120; Joseph Haydn's 45 piano trios, particularly those composed from the mid-1780s onwards; Charles Ives's Piano Trio, 1911; Franz Liszt's Hungarian Rhapsodies No. 9 and No. 12; Felix Mendelssohn ...
Piano Trio in E minor; Piano Trio in E ♭ major (1845-55 ca.) Piano Trio in D minor (1855-56 ca.) Piano Trio in A minor (1855-61 ca.) Piano Trio in E Minor, Op. 12 (1861) Piano Trio in D Major, Op. 13 (1862) Piano Trio in B Minor, Op. 16 (1862) Joseph Mayseder. Piano Trio No. 1 in E ♭ Major, Op. 34; Piano Trio No. 2 F Major, Op. 41
Sonata Op. 64 in E flat (transcription of String Trio Op.3) (1807) Twelve Variations for cello & piano in F major on Mozart's "Ein Mädchen oder Weibchen," Op. 66 (1796) Twelve Variations for cello & piano in G major on Handel's "See, the Conqu'ring Hero comes," WoO 45 (1796)
Jazz compositions in E-flat minor ... Piano Sonata (Dukas) Piano Trio No. 41 (Haydn) Polka Italienne; Polonaises, Op. 26 (Chopin) Prelude in E-flat minor ...
Set in the tonic minor, the second movement is in essence in the form of a passacaglia, being set to an ostinato bass, which is varied through the movement, though only subtly. [3] Its creeping bass line is first introduced by all three instruments in unison, before the piano introduces a winding, ornamental melody over the top of it.
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