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The Marvel Comics brand and logo did not always appear on the cover or in the indicia; the only obvious relation to Marvel being the publisher's name, Magazine Management, a name that the four-color comics stopped using in 1973 but was retained for the black-and-white magazines. [3]
Judy Garland tribute magazine (1970). Cover artist unknown. Another two-issue title, The Crime Machine, consisted solely of comic-book crime fiction reprints from the 1950s. [9] A remaining title, Science Fiction Odyssey, was planned for September 1971 publication, but withdrawn; some of its stories eventually appeared in the horror magazines.
Horror comics are comic books, graphic novels, black-and-white comics magazines, and manga focusing on horror fiction.In the US market, horror comic books reached a peak in the late 1940s through the mid-1950s, when concern over content and the imposition of the self-censorship Comics Code Authority contributed to the demise of many titles and the toning down of others.
The Haunt of Fear is an American bi-monthly horror comic anthology series that was published by EC Comics from 1950 to 1954 created by Bill Gaines and Al Feldstein. The magazine began in June 1947 as Fat and Slat. It continued under this title for four issues before becoming Gunfighter (#5–14).
E.C. Publications, Inc., (doing business as EC Comics) is an American comic book publisher.It specialized in horror fiction, crime fiction, satire, military fiction, dark fantasy, and science fiction from the 1940s through the mid-1950s, notably the Tales from the Crypt series.
Tales of the Zombie was an American black-and-white horror comics magazine published by Magazine Management, a corporate sibling of Marvel Comics. [1] The series ran 10 issues and one Super Annual from 1973 to 1975, many featuring stories of the Zombie (Simon Garth) by writer Steve Gerber and artist Pablo Marcos.
The House of Hammer was a British black-and-white magazine featuring articles and comics related to the Hammer Film Productions series of horror and science fiction films. The brainchild of Dez Skinn , [ 2 ] almost every issue of the magazine featured a comics adaptations of a Hammer film, as well as an original comics backup story, [ 3 ] such ...
Eerie was an American magazine of horror comics introduced in 1966 by Warren Publishing. Like Mad, it was a black-and-white magazine intended for newsstand distribution and did not submit its stories to the comic book industry's voluntary Comics Code Authority. [1] Each issue's stories were introduced by the host character, Cousin Eerie.