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A step outline (also informally called a beat sheet or scene-by-scene [1]) is a detailed telling of a story with the intention of turning the story into a screenplay for a motion picture. The step outline briefly details every scene of the screenplay's story, and often has indications for dialogue and character interactions.
The results of spotting are "spotting sheets" which contain the time cues – organized by scene, shot, and time code reference – that will subsequently be useful to those artists contributing to the project's sound design. After being locked and spotted, the cut goes into postproduction. [2]
He defines a Beat as: "an exchange of behavior in action/reaction. Beat by Beat these changing behaviors shape the turning of a scene." Specifically, a scene will contain multiple beats, the clashes in the conflict, which build a scene to eventually turn the values of a character's life, called a "Story Event". [2]
Director and actor reviewing footage from Agha Yousef.. In filmmaking, dailies or rushes are the raw, unedited footage shot during the making of a motion picture.The term "dailies" comes from when movies were all shot on film because usually at the end of each day, the footage was developed, synced to sound, and printed on film in a batch (and later telecined onto videotape or disk) for ...
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In film and television, a script breakdown is an analysis of a screenplay in which all of the production elements are reduced into lists. Within these lists are, in essence, the foundation of creating a production board, which is fundamental in creating a production schedule and production budget of an entire production of any film or television program in pre-production. [1]
The script supervisor will note any continuity issues, and the sound and camera teams log technical notes for the take on their respective report sheets. If the director decides additional takes are required, the whole process repeats. Once satisfied, the crew moves on to the next camera angle or "setup", until the whole scene is "covered."
In the traditional photochemical post-production workflow, release prints are usually copies, made using a high-speed continuous contact optical printer, [5] of an internegative (sometimes referred to as a 'dupe negative'), which in turn is a copy of an interpositive (these were sometimes referred to as 'lavender prints' in the past, due to the slightly colored base of the otherwise black-and ...