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  2. Areopagus sermon - Wikipedia

    en.wikipedia.org/wiki/Areopagus_sermon

    The Areopagus sermon refers to a sermon delivered by Apostle Paul in Athens, at the Areopagus, and recounted in Acts 17:16–34. [1] [2] The Areopagus sermon is the most dramatic and most fully-reported speech of the missionary career of Saint Paul and followed a shorter address in Lystra recorded in Acts 14:15–17. [3]

  3. Acts 17 - Wikipedia

    en.wikipedia.org/wiki/Acts_17

    [20] [21] The Areopagus sermon is the most dramatic and fullest reported speech of the missionary career of Saint Paul and followed a shorter address in Lystra Acts 14:15–17. [22] Paul explained concepts such as the resurrection of the dead and salvation, in effect a prelude to the future discussions of Christology. According to the record ...

  4. Song of the Athenians (Sibelius) - Wikipedia

    en.wikipedia.org/wiki/Song_of_the_Athenians...

    Sibelius wrote the song based on Viktor Rydberg’s War Song of Tyrtaeus, a poem that describes an Athenian victory over the Persians in 267 A.D. [2] [3]. Finished in 1899, the Song of the Athenians was premiered the same year in Helenski, Finland along with Sibelius' First Symphony.

  5. Unknown God - Wikipedia

    en.wikipedia.org/wiki/Unknown_God

    The Unknown God or Agnostos Theos (Ancient Greek: Ἄγνωστος Θεός) is a theory by Eduard Norden first published in 1913 that proposes, based on the Christian Apostle Paul's Areopagus speech in Acts 17:23, that in addition to the twelve main gods and the innumerable lesser deities, ancient Greeks worshipped a deity they called "Agnostos Theos"; that is: "Unknown God", which Norden ...

  6. News, Politics, Sports, Mail & Latest Headlines - AOL.com

    www.aol.com/news/tiktoker-paul-russell-viral...

    News, Politics, Sports, Mail & Latest Headlines - AOL.com

  7. Delphic Hymns - Wikipedia

    en.wikipedia.org/wiki/Delphic_Hymns

    Fragments of both hymns in the Delphi Archaeological Museum. The Delphic Hymns are two musical compositions from Ancient Greece, which survive in substantial fragments.They were long regarded as being dated c. 138 BC and 128 BC, respectively, but recent scholarship has shown it likely they were both written for performance at the Athenian Pythaids in 128 BC. [1]

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