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The painting was rediscovered by Dutch art dealer Jan Six in 2016. He is a direct descendant of Jan Six, a 17th-century burgher who sat for one of Rembrandt’s most important paintings, Portrait of Jan Six. The painting is dated to the 1620s and grouped under the growing list of paintings in Rembrandt's oeuvre known as his "juvenalia".
Rembrandt Harmenszoon van Rijn (/ ˈ r ɛ m b r æ n t, ˈ r ɛ m b r ɑː n t /; [2] Dutch: [ˈrɛmbrɑnt ˈɦɑrmə(n)ˌsoːɱ vɑn ˈrɛin] ⓘ; 15 July 1606 [1] – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman.
Rembrandt and/or workshop. Companion piece to 133b. The painting suffered severely when it was transferred from panel to canvas in 1929 and also from overcleaning. Originally rectangular and possibly also larger below Portrait of a Young Woman: 1635: Oil on panel: 78 x 65: Cleveland Museum of Art: 133b: Rembrandt and mainly workshop. Companion ...
History Painting is an early painting by Rembrandt dating to 1626. The title is a generic reference to history painting , as there is no consensus about the painting's subject matter. More than a dozen subjects have been proposed, ranging from Biblical themes to classical and modern history. [ 1 ]
Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]
The drawing is related to the painting W206 : Study for the Painting of St. John the Baptist Preaching: c. 1633-1634: pen, brown ink and brown wash with white heightenings: 14.5 × 20.4 cm: Musée du Louvre, Paris: The drawing is related to the painting W110 : The Preaching of St. John the Baptist: c. 1633-1634?? Private collection
A painting valued at $15,000 just two years ago is now expected to fetch up to $18 million at auction after being identified as the work of the Dutch master Rembrandt. “The Adoration of the ...
Engraving by Willem van der Leeuw, c. 1630–1665 Anonymous copy, 1660s. This painting was engraved as the work of Rembrandt during his lifetime, but it has subsequently been argued that its meticulous detail suggests that it was either a collaboration between Rembrandt and his Leiden pupil Gerrit Dou, or by Dou alone. [2]