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This melody for the traditional song "Pop Goes the Weasel" is monophonic as long as it is performed without chordal accompaniment. [1]Play ⓘ. In music, monophony is the simplest of musical textures, consisting of a melody (or "tune"), typically sung by a single singer or played by a single instrument player (e.g., a flute player) without accompanying harmony or chords.
Although in music instruction certain styles or repertoires of music are often identified with one of these descriptions this is basically added music [clarification needed] (for example, Gregorian chant is described as monophonic, Bach Chorales are described as homophonic and fugues as polyphonic), many composers use more than one type of ...
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions.
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
L'homme armé, secular song Missa L'homme armé: 5: 12: 1570: Cantus firmus: L'homme armé (secular song) Missa Lauda Sion (Missa prima a4) 4 13 1582 Parody Palestrina's motet: Missa Laudate Dominum omnes gentes: 8: 22: 1601: Parody: Palestrina's motet: Missa Memor esto: 5: 17: 1599: Parody: Palestrina's motet: Missa Nasce la gioia mia: 6: 14: ...
Monteverdi's Musical Theatre. New Haven: Yale University Press. ISBN 0-300-09676-3. Grout, Donald Jay (1971). A Short History of Opera. New York: Columbia University Press. ISBN 0-231-08978-3. Grout, Donald Jay and Palisca, P.V. (1981). A History of Western Music Third Edition.
Ambrosian chant – Monophonic liturgical music used in the liturgy of the Ambrosian Rite. Ballade – French poetic-musical form. Ballata – Medieval Italian poetry accompanied by music. Canso – Song of troubadour tradition. Cantiga – Monophonic song of Spanish or Portuguese origin, often about religious themes or courtly love.
This includes the songs of chansonnier, chanson de geste and Grand chant; court songs of the late Renaissance and early Baroque music periods, air de cour; popular songs from the 17th to 19th century, bergerette, brunette, chanson pour boire, pastourelle, and vaudeville; art song of the romantic era, mélodie; and folk music, chanson populaire ...