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The Shop Girl (La Demoiselle de Magasin) is a painting by James Tissot in the collection of the Art Gallery of Ontario. The painting depicts a young woman standing inside a shop selling ribbons and dresses. In one hand she holds a wrapped package of newly purchased items. With the other she holds open the door to the store for the viewer to depart.
The Shop Girl in particular seemed to return to Tissot's exploration of sexuality and gender, with one writer identifying depictions of desire and baseness in the composition, while the series's wider inclusion of working class women outside of the household as subjects could have been seen as morally dubious at the time. [31]
Tissot was founded in 1853 by Charles-Félicien Tissot and his son Charles-Émile Tissot in the Swiss city of Le Locle, in the Neuchâtel canton of the Jura Mountains area. [2] The father and son team worked as a casemaker (Charles-Félicien Tissot) and watchmaker (Charles-Emile). His son having expressed an interest in watchmaking from a young ...
Good and Evil (French - Le Bien et le Mal) is a painting by Victor Orsel, begun in Rome in 1829 and completed in Paris in 1832 after several preparatory works. It had several influences, especially from the artist's stay in Italy.
Saint Joseph Seeks a Lodging in Bethlehem (Saint Joseph cherche un gîte à Bethléem), by James Tissot, Brooklyn Museum. Saint Joseph Seeks a Lodging at Bethlehem is an opaque watercolor painting over graphite by James Tissot. The painting was created between 1886-1894, near the end of James Tissot's Career. [1]
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Quartz movement of the Seiko Astron, 1969. The quartz crisis (Swiss) or quartz revolution (America, Japan and other countries) was the advancement in the watchmaking industry caused by the advent of quartz watches in the 1970s and early 1980s, that largely replaced mechanical watches around the world.
What Our Lord Saw from the Cross (Ce que voyait Notre-Seigneur sur la Croix) is a c. 1890 watercolor painting by the French painter James Tissot. [1] The work is unusual for its portrayal of the Crucifixion of Jesus from the perspective of Jesus on the cross, rather than featuring Christ at the center of the work. [ 2 ]
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