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Miss Macbeth, although quite stupid, invents many clever weapons she uses against the kids of Pinkerton. The Invisible Network of Kids has managed to destroy all of them. In "Investigation at Pinkerton", it was revealed that Macbeth was a famous children's singer named Valentine Begonia, 30 years prior to becoming a teacher.
Just Macbeth! was released as a book in June 2009. It contains pictures by Terry Denton, like it happens with the other books of the series. Several things were changed from the play, for example: the King sings a generic song, and Happy Tree Friends is changed to "Axe Wielding, Blood-Sucking Freaks".
The murderer cries as he stabs the boy, "What, you egg! ... Young fry of treachery!" [1] This hints at the reason Macbeth is so eager to have him killed.Macbeth, seeing that, as the Three Witches foretold, he is destined to be king with no offspring to inherit his throne, is determined to kill the offspring of others, including Fleance and Macduff's son.
Macbeth was a favourite of the seventeenth-century diarist Samuel Pepys, who saw the play on 5 November 1664 ("admirably acted"), 28 December 1666 ("most excellently acted"), ten days later on 7 January 1667 ("though I saw it lately, yet [it] appears a most excellent play in all respects"), on 19 April 1667 ("one of the best plays for a stage ...
The books seem to take the socially accepted norms that kids are forced into in their early years and twist them.” [10] Mark Macleod writes in The interdisciplinary Press that Just Tricking , the first book in the series, is “fiction for a generation whose favourite response to any lack of resolution is the shrug, ‘whatever’”.
MACBETH. She should have died hereafter. There would have been a time for such a word. Tomorrow, and tomorrow, and tomorrow, Creeps in this petty pace from day to day, To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life’s but a walking shadow; a poor player,
The traditional origin is said to be a curse set upon the play by a coven of witches, angry at Shakespeare for using a real spell. [2] One hypothesis for the origin of this superstition is that Macbeth, being a popular play, was commonly put on by theatres in financial trouble, or that the high production costs of Macbeth put theatres in financial trouble.
Actors also avoid even quoting the lines from Macbeth before performances, particularly the Witches' incantations. Outside a theatre and after a performance, the play can be spoken of openly. If an actor speaks the word "Macbeth", or quotes the play, in a theatre other than in performance, they must perform a ritual to remove the curse.