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The band was formed as a result of Lyle and McEwan meeting during a co-writing workshop in 2012 in North Hollywood, CA. [2] [3] Inspired in part by the score for Drive, and the retro synth genre growing around its release, [3] the pair wrote two singles, "WeMoveForward" and "Gloria", that would be released two years later in 2014 as part of their debut EP titled Days of Thunder.
The album includes songs that are influenced by hair metal bands and heavy metal, specifically Def Leppard and Mutt Lange. [4] The band confirmed the album was a follow-up to their 2020 album Monsters, which is also part of a trilogy of albums starting with their 2018 release Kids. [5]
The album deals with themes of romance, lost love and nostalgia within a backdrop of 1980s-style synthwave. [5] In an interview with Icon vs Icon, the band confirmed that Monsters is a thematic continuation of their previous album Kids, focusing on adolescence, closeness and alienation from the perspective of a teenager.
"No Parking (On the Dance Floor)" is the title track from Midnight Star's fourth and most successful album, No Parking on the Dance Floor. In the US, the song reached number 43 on the R&B chart, [1] number 44 on the dance chart, [2] and number 81 on the Billboard Hot 100.
The Midnight Band would later be featured on following Scott-Heron albums, assisting in production and back-up instrumentation. The songs on The First Minute of a New Day , which feature themes ranging from spirituality ("Offering") to revolution ("The Liberation Song") and oppression ("Winter in America"), contain jazz melodies by the Midnight ...
It would return to the top of the charts again in 1962 [2] – the only song in the rock and roll era to reach number 1 in two different non-consecutive years. Ballard and the Midnighters had several other hit singles in the early 1960s, including the Grammy-nominated " Finger Poppin' Time " (1960) and " Let's Go, Let's Go, Let's Go " (1960 ...
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It was a top 10 hit on the Billboard R&B chart, peaking at number 4 (it also reached number 87 on the Billboard pop chart), and re-established the Midnighters as a hit-making force. Even more significant was the song's flip side, a song about a dance, "The Twist". It was also a hit, reaching number 16 on the R&B chart.