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"The Rocking Carol", [1] also known as "Little Jesus, Sweetly Sleep" [2] and "Rocking", [3] is an English Christmas carol by Percy Dearmer. It was translated from Czech (" Hajej, nynej, Ježíšku ") [ 4 ] in 1928 and is performed as a lullaby to the baby Jesus .
So Far Away is The Chords debut album. It reached a peak of number 30 on the U.K. albums chart in a three-week chart run. ... I'm Coming" and "I'm Not Sure ...
"Sometimes Always" is a song by the Scottish alternative rock group the Jesus and Mary Chain and the first single from the group's album Stoned & Dethroned. Written by William Reid, the song is a duet between Jim Reid and Mazzy Star's Hope Sandoval. The song was a moderate commercial hit in the UK while also making some noise on the alternative ...
"Three Chords and the Truth" is a song co-written and recorded by American country music artist Sara Evans. It was released in July 1997 as the second single from Evans' debut album of the same name in July 1997. Despite its minor success on the Billboard country chart, it was critically acclaimed for its retro-themed production. Since its ...
"Three Chords and the Truth", an oft-quoted phrase coined by Harlan Howard in the 1950s which he used to describe country music; Three Chords and the Truth, a 1997 book by Laurence Leamer about the business and lifestyle of country music and its many stars; Three Chords & the Truth, a radio show hosted by Duff McKagan and Susan Holmes McKagan.
In 1986, the song title was parodied in "All I Want for Christmas Is a Dukla Prague Away Kit" by the band Half Man Half Biscuit on The Trumpton Riots EP. Country music parodist Cledus T. Judd parodied the song on his 2002 Christmas album Cledus Navidad. Titled "All I Want for Christmas Is Two Gold Front Teef", Judd's parody is performed in rap. [9]
By RYAN GORMAN X-rays have revealed that a statue of Christ has human teeth. The Lord of Patience statue in the parish of San Bartolo Cuautlalpan is famous for being covered in blood and depicting ...
"Jesus Is Coming Soon" is a 1942 gospel song composed by R. E. Winsett. [1] The song has become a Southern gospel standard, as evidenced by its recording history.