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On 15 September 2017, the exhibition Songlines: Tracking the Seven Sisters, referencing the creation myth of the Seven Sisters that is common to many groups in the Western and Central Deserts, was launched at the NMA.
Bates' works were displayed posthumously as part of Songlines: Tracking the Seven Sisters, a collaborative exhibition between senior custodians of Aboriginal lands in the Central and Western deserts and the National Museum of Australia, among other partners.
They eventually escape by climbing a pine tree that continually grows up into the sky where they join their other sisters. [30] In 2017, a major exhibition entitled Songlines: Tracking the Seven Sisters was mounted at the National Museum of Australia, [16] afterwards travelling to Berlin (2022) and Paris (2023). [31]
2020, Songlines: the power and the promise. [6] 2017, Songlines: tracking the Seven Sisters. [7] 2008, Utopia: the Genius of Emily Kame Kngwarreye. [8] 2000, The Oxford Companion to Aboriginal Art and Culture. [9]
The painting itself is at the same time on display in Berlin, Germany, as part of a travelling exhibition called Songlines: Tracking the Seven Sisters, [15] which originated at the National Gallery of Australia in 2017. [16]
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Depending on the cultural/language group, there are several stories or songlines, regarding the origins of the Pleiades among Aboriginal Australian peoples, usually referred to as the Seven Sisters. In the western desert region and cultural bloc , they are said to be seven sisters fleeing from the unwelcome attentions of a man represented by ...
The sisters — who are reported to be part of a set of triplets — were also seen in the area at around 2:50 p.m. the day before they went missing, police have now shared.