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A (E major) → B (C major) → A (F major) → C (D minor) → A (E major) Schubert also composes brief transitions at the ends of each episode—that between the B section and the medial A section features a small amount of the B section's material in F major (the medial A section's key), while that between the C section and the final A ...
D 568, Piano Sonata in D-flat major/E-flat major (1817, 2 versions; for the 1st version, the Scherzo in D-flat major, D 593 No. 2 possibly constitutes the third movement; the last movement is a fragment; NSA also appends an amended first movement from the 1st version; 2nd version first published as Op. posth. 122)
3. Thema e variazioni in B-flat major, Rosamunde 4. Allegro scherzando in F minor 944A German Dance in an unknown key Deutscher 1 March 1828 lost 946 Three piano pieces: Drei Klavierstücke ♫ May 1828 1. Allegro assai in E-flat minor 2. Allegretto in E-flat major 3. Allegro in C major 958 Sonata in C minor: Sonate in c ♫ September 1828 13 19
in the C minor Sonata, certain passages in the first two movements resemble parallel passages from Beethoven's Piano Sonata No. 8, Op. 13 (the Pathétique), written in the same key. [75] in the A major Sonata, bars 200–206 from the end of the development section in the finale recall bars 51–55 from the first movement of Beethoven's Piano ...
Piano Sonata in A-flat major, D 557 (Schubert) Piano Sonata in E minor, D 566 (Schubert) Piano Sonata in D-flat major, D 568 (Schubert) Piano Sonata in F-sharp minor, D 571 (Schubert) Piano Sonata in B major, D 575 (Schubert) Piano Sonata in F minor, D 625 (Schubert) Piano Sonata in C-sharp minor, D 655 (Schubert) Piano Sonata No. 13 in A Major ...
Piano Sonata in A-flat major, D 557; Piano Sonata in E minor, D 566; Piano Sonata in D-flat major, D 568; Piano Sonata in E-flat major, D 568; Piano Sonata in F-sharp minor, D 571; Piano Sonata in B major, D 575; Vocal music: "Der Tod und das Mädchen", D 531 "An die Musik", D 547
A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).
Chopin wrote his Etude No.6, Op. 10, his Polonaise No. 2, Op. 26, and his Prelude No. 14, Op. 28 in E-flat minor. Tchaikovsky's 1812 Overture is a sonata form in E-flat minor framed by an extended introduction and a long coda, both in E-flat major. Janáček's Piano Sonata, 1. X. 1905, arguably his best-known work for the piano, is in E-flat minor.