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The following is a list of typefaces designed by Frederic Goudy.. Goudy was one of America's most prolific designers of metal type. He worked under the influence of the Arts and Crafts movement, and many of his designs are old-style serif designs inspired by the relatively organic structure of typefaces created between the fifteenth and eighteenth centuries, following the lead of earlier ...
Eurostile—and the Microgramma Extended Bold font on which it is based—was the primary font used in the science fiction series UFO, created by Gerry Anderson in 1969. All of the vehicles and clothing bearing the logo of the series' secret organisation SHADO used the font, in addition to the main titles.
Comic Sans Pro is an updated version of Comic Sans created by Terrance Weinzierl from Monotype Imaging. While retaining the original designs of the core characters, it expands the typeface by adding new italic variants, in addition to swashes, small capitals, extra ornaments and symbols including speech bubbles, onomatopoeia and dingbats, as well as text figures and other stylistic alternatives.
Abarth uses the font extensively; Austin Rover Group used the font for its logos and also its cars such as the Metro, Maestro and Montego. The Funimation logo used from 2005-2016. The TRS-80 Color Computer keyboard. The VIC-20 keyboard (early models inherited the keyboard style from previous Commodore computers, especially the 3000/4000/8000 ...
In metal typesetting, a font (American English) or fount (Commonwealth English) is a particular size, weight and style of a typeface, defined as the set of fonts that share an overall design. For instance, the typeface Bauer Bodoni (shown in the figure) includes fonts " Roman " (or "regular"), " bold " and " italic "; each of these exists in a ...
Director X knows a thing or two about music videos. From working under Hype Williams on the set of the 1998 classic movie “Belly,” to directing music videos for hip-hop heavyweights like ...
Contrary to their current perception, in its early years, the Bauhaus school printed serif art nouveau typefaces. After some years of design work at the school, Herbert Bayer and Joost Schmidt created the more recognizable proposals—sans-serif geometric letterings, with decorative elements of the font removed for a crisp industrial style.
Impact is a sans-serif typeface in the industrial or grotesque style designed by Geoffrey Lee in 1965 and released by the Stephenson Blake foundry of Sheffield. [1] It is well known for having been included in the core fonts for the Web package and distributed with Microsoft Windows since Windows 98.