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Heiner Müller (German: [haɪnɐ mʏlɐ]; 9 January 1929 – 30 December 1995) was a German (formerly East German) dramatist, poet, writer, essayist and theatre director. His "enigmatic, fragmentary pieces" are a significant contribution to postmodern drama and postdramatic theatre .
The production of Hamletmachine was described as "a stage teeming with images" and "an electrifying message from East Germany" by Nicholas De Jongh in The Guardian. In 1992, the play was presented by the University of California, Irvine, directed by Keith Fowler , as a bloody fantasy set in a "Frankenstein laboratory," in which industrial meat ...
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The following is a list of notable deaths in September 2017. Entries for each day are listed alphabetically by surname. A typical entry lists information in the following sequence: Name, age, country of citizenship at birth, subsequent country of citizenship (if applicable), what subject was noted for, cause of death (if known), and reference.
Heiner Müller, "Theme of A.S." (1958), anticipating many of the ideas and images developed in The Mission. [ 2 ] The Mission: Memory of a Revolution ( Der Auftrag: Erinnerungen an eine Revolution ), also known as The Task , is a postmodern drama by the (formerly East ) German playwright Heiner Müller .
With Heiner Müller, she created the dramas Der Lohndrücker (1956), Die Umsiedlerin (1956), Die Korrektur (1957), Klettwitzer Bericht (1958) and Unterwegs (1963). She had remained above all a poet. Although nearly 300 lyrical works were created in her lifetime, only a few were published, mostly in the anthology In diesem besseren Land .
Steal This Movie! Abbie Hoffman: Vincent D'Onofrio: Anita Hoffman: Janeane Garofalo: The Three Stooges: Moe Howard: Paul Ben-Victor: Larry Fine: Evan Handler: Curly Howard: Michael Chiklis: Shemp Howard: John Kassir: Vatel: François Vatel: Gérard Depardieu: Word and Utopia: António Vieira: Lima Duarte: Take Me Home: The John Denver Story ...
Quartet, sometimes written as Quartett, is a 1980 play written by the (formerly East) German playwright Heiner Müller.. Its subject matter rendered it unlikely for production under the GDR's repressive cultural policies, but Müller's status as the nation's most eminent playwright after the death of Bertolt Brecht allowed him great leeway for travel, and so when the progressive director of ...