Search results
Results from the WOW.Com Content Network
On the review aggregator website Rotten Tomatoes, 50% of 8 critics' reviews are positive, with an average rating of 5.0/10. [7]Rubén Romero Santos of Cinemanía rated the film 3½ out of 5 stars, rallying laggards to join the Mario Casas bandwagon, highlighting the transformation experienced by the actor from Three Steps Above Heaven to The Paramedic, in which he plays a "wheelchair-bound ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Armando Sáenz as El Practicante (Ruiz) Juan Carlos Calvo as El Padre sin hijos (Señor Hinojosa) Patricia Morán as La Moribunda (Carmen Rosado) Miguel Ángel López is disamb as El Torero (Lalo) Queta Lavat as La Enfermera (Irene) Felipe Montoya as El Médico de Comisaría (Dr. Sevilla) Enrique Díaz 'Indiano' as El Droguista (Sr. Bermúdez)
In performance it is played as the seventh and last piece. It is based on the music of the opening scene of Granados's opera Goyescas, in which a "pelele" is being tossed in the air by the "majas". Bocetos (1912) which contains: "Despertar del cazador"; "El hada y el niño"; "Vals muy lento"; "La campana de la tarde".
El Capitan is an operetta in three acts by John Philip Sousa and has a libretto by Charles Klein (with lyrics by Charles Klein and Tom Frost). The piece was Sousa's first successful operetta and his most successful stage work. The march "El Capitan" became a standard work both for symphonic/wind bands and a crossover into other genres.
Habanera ("music or dance of Havana") is the popular name for "L'amour est un oiseau rebelle" (French pronunciation: [lamuʁ ɛt‿œ̃n‿wazo ʁəbɛl]; "Love is a rebellious bird"), an aria from Georges Bizet's 1875 opéra comique Carmen. It is the entrance aria of the title character, a mezzo-soprano role, in scene 5 of the first act.
As the theme music begins a runway (believed to be Santa Pod Raceway in Podington in real life) [1] appears and a Lotus Super Seven drives under the camera (driven by stuntman Jack Cooper). The view dissolves to reveal a stern-faced man, the future Number Six , driving past the Houses of Parliament in London, into an underground car park (near ...