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Shantipuri handloom sari (or fabrics) is famous for the novelty of designs, hand spinning method with extra weft, different color patterns and the thin finesse of the fabric. The fine Shantipuri sari is a highly demanded commodity all over the world. [1] Shantipuri Sari got geographical indications tag in 2009. [2] [3]
Tant sari is a traditional Bengali sari, originating from the Bengal region in the eastern part and usually used by Bengali women. Tant sari are woven from cotton threads and distinguished by its lightness and transparency. It is considered to be the most comfortable sari for the hot and humid climate in the Indian subcontinent.
Permission was neither granted nor even requested. A Patola sari is a double ikat woven sari, usually made from silk, made in Patan, Gujarat, India. The word patola is the plural form; the singular is patolu. These saris are made using silk threads that are first dyed with natural colors and then woven together to create the intricate patterns ...
India. Registered. 2005. Material. Silk or Cotton. Pochampally sari or Pochampalli ikat is a saree made in Bhoodan Pochampally, Yadadri Bhuvanagiri district, Telangana State, India. They have traditional geometric patterns in " Paagadu Bandhu " (Ikat) style of dyeing. The intricate geometric designs find their way into sarees and dress materials.
Madurai Sungudi is a design from Madurai, in the Indian state of Tamil Nadu, which is an exclusive textile product traditionally produced using tie and dye (using natural dyes) method by the Saurashtrians, who migrated to Madurai under the patronage of King Thirumalai Naicker in the 17th century. [ 1 ] The fabric's traditional popular use is as ...
Kantha is a form of embroidery often practised by rural women. The traditional form of Kantha embroidery was done with soft dhotis and saris, with a simple running stitch along the edges. Depending on the use of the finished product they were known as Lepkantha or Sujni Kantha. The embroidered cloth has many uses including shawls, covers for ...
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