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A particular form of Renaissance architecture in Germany is the Weser Renaissance, with prominent examples such as the City Hall of Bremen and the Juleum in Helmstedt. In July 1567 the city council of Cologne approved a design in the Renaissance style by Wilhelm Vernukken for a two storied loggia for Cologne City Hall.
Though retaining a distinctively German style, his work shows strong Italian influence, and is often taken to represent the start of the German Renaissance in visual art, which for the next forty years replaced the Netherlands and France as the area producing the greatest innovation in Northern European art.
Renaissance art (1350 – 1620 [1]) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. [2]
Danube landscape near Regensburg, by Albrecht Altdorfer A landscape etching by Albrecht Altdorfer. The Danube school or Donau school (German: Donauschule or Donaustil) was a circle of painters of the first third of the 16th century in Bavaria and Austria (mainly along the Danube valley).
Self-Portrait (or Self-Portrait at Twenty-Eight) is a panel painting by the German Renaissance artist Albrecht Dürer. Completed early in 1500, just before his 29th birthday, it is the last of his three painted self-portraits. Art historians consider it the most personal, iconic and complex of these. [1]
View of the interior of the triptych. The two outer wings contain an Annunciation scene in grisaille.Oil on oak panel, 1437. Gemäldegalerie Alte Meister, Dresden. 33.1cm × 13.6cm; 33.1cm × 27.5cm; 33.1cm × 13.6cm Detail of the right panel showing St. Catherine and the inner mouldings of the protective frame
Stephanie Porras, art historian and author of “The First Viral Images: Maerten de Vos, Antwerp Print, and the Early Modern Globe,” told CNN in an email that the idea of virality “seems to ...
Grünewald's John the Evangelist.This work was long thought to be a self-portrait. Matthias Grünewald (c. 1470 – 31 August 1528; also known as Mathis Gothart Nithart [1]) was a German Renaissance painter of religious works who ignored Renaissance classicism to continue the style of late medieval Central European art into the 16th century.