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The death of Thomas saw the break-up of the community. Abercrombie, Brooke, Drinkwater and Gibson were poets who had contributed to The Westminster Gazette and were considered Georgian poets . The 'Georgian' style, particularly its versification, fell out of favour in the 1920s and 1930s, but at the time was considered 'advanced', and a ...
The collection contains poems of various dates, with almost a third of its 94 poems having been published before the book's publication. [3] A not untypical thematic stress on life's ironies is present, [4] though Hardy himself was insistent that the title phrase was a poetic image only, and not to be taken as a philosophical belief. [5]
Thomas & Friends (formerly known as Thomas the Tank Engine & Friends) is a children's media franchise created by Britt Allcroft and currently owned by Mattel.The franchise revolves around an ensemble cast of anthropomorphic steam locomotives and other vehicles, including the main protagonist Thomas the Tank Engine, who work on the Island of Sodor.
Poems of 1912–1913 are an elegiac sequence written by Thomas Hardy in response to the death of his wife Emma in November 1912. An unsentimental meditation upon a complex marriage, [1] the sequence's emotional honesty and direct style made its poems some of the most effective and best-loved lyrics in the English language.
Myfanwy Haycock (1913–1963) was a Welsh poet, illustrator, BBC broadcaster, and journalist. She was born Blodwen Myfanwy Haycock in Pontnewynydd , Wales , near Pontypool , in the traditional county of Monmouthshire , .
Thomas and Beulah is a book of poems by American poet Rita Dove that tells the semi-fictionalized chronological story of her maternal grandparents during the Great Migration, [1] the focus being on her grandfather (Thomas, his name in the book as well as in real life) in the first half and her grandmother (named Beulah in the book, although her real name was Georgianna) in the second.
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Little Boy Blue by Eugene Field " Little Boy Blue " is a poem by Eugene Field about the death of a child, a sentimental but beloved theme in 19th-century poetry. Contrary to popular belief, the poem is not about the death of Field's son, who died several years after its publication.