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In early windows, before the introduction of stone tracery, the leaded panels of glass were inserted into an iron lattice or framework of upright and horizontal bars forming squares. The framework became a part of the design. In some cases, such as the upper windows, the figures were so large that they filled the whole window.
John E. G. Povey House, Portland, Oregon, home of one of the Povey Brothers. The company was founded by David Lincoln Povey, the son of English-born stained glass window maker Joseph Povey, who immigrated to the United States in 1848 and subsequently worked in stained glass in Philadelphia, New York City, and Newark, New Jersey.
Tracery is an architectural device by which windows (or screens, panels, and vaults) are divided into sections of various proportions by stone bars or ribs of moulding. [1] Most commonly, it refers to the stonework elements that support the glass in a window.
When the dazzling 16-foot-high leaded stained- glass window arrived in Canton in 1913, it made front-page news—and postponed the new church’s dedication by a week because of a shipping delay.
In 1949, the panels were acquired by Richard King and placed into storage until they were acquired in the late 1970s by the Hugh Lane Gallery for IR£20,000. [45] 1930 Mr. Gilhooley Based on a work of the same name by Liam O'Flaherty. It is the original panel from the Geneva Window, but a second panel was made due to a crack in the figure's ...
Stained glass windows in houses were particularly popular in the Victorian era and many domestic examples survive. In their simplest form they typically depict birds and flowers in small panels, often surrounded with machine-made cathedral glass which, despite what the name suggests, is pale-coloured and textured. Some large homes have splendid ...
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