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Artistic integrity is generally defined as the ability to omit an acceptable level of opposing, disrupting, and corrupting values that would otherwise alter an artist's or entities’ original vision in a manner that violates their own preconceived aesthetic standards and personal values.
He graduated in 1927 in Art Critique at the Literature and Philosophy School of the Kingdom of Italy University in Turin. In the 1930s he was one of the initiators of the association Friends of the Albanians (Miqt e Arbrit). He was also one of the organizers of the first exposure of arts and the first School of Painting in Tirana. [1] [2] [3]
Integrity is the quality of being honest and showing a consistent and uncompromising adherence to strong moral and ethical principles and values. [1] [2] In ethics, integrity is regarded as the honesty and truthfulness or earnestness of one's actions. Integrity can stand in opposition to hypocrisy. [3]
Art was censored by the government and artists were urged to create works that endorsed socialism. The dominant theme of Albanian paintings was the proletariat, the backbone of the socialist system. Much of the country's art focused on domestic scenes such as men working in the fields and women feeding chickens.
Gehry argues that the organization of the artist, in addition to making possible artistic integrity, also helps keep his buildings on time and budget, which is rare for the type of innovative and complex designs that Gehry is known for. The organization of the artist thus serves the dual purpose of artistic freedom and economic prudence.
[1] [2] [3] [6] Trained in Venice, he infused Albanian icon painting with the artistic climate of the Italian Renaissance. [7] His works reveal a great degree of originality and ecclesiastically combined post-Byzantine and Gothic elements. [3] [2] Onufri's works played a decisive role in the following trends of Albanian art, up to the 19th ...
In the art business, the artistic value of a well-executed forgery is irrelevant to a curator concerned with the authenticity of provenance of the original work of art [20] — especially because formally establishing the provenance of a work of art is a question of possibility and probability, rarely of certainty, unless the artist vouches for ...
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