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Quanguo Waiyu Shuiping Kaoshi ("National Foreign Language Proficiency Test," WSK) is a series of foreign language tests administered in Mainland China for educators who did not major in foreign languages. [1] The National Education Examinations Authority (NEEA) of China developed these tests.
An HSK (Level 6) Examination Score Report. The Hanyu Shuiping Kaoshi (HSK; Chinese: 汉语水平考试; pinyin: Hànyǔ Shuǐpíng Kǎoshì), translated as the Chinese Proficiency Test, [1] is the People's Republic of China's standardized test of proficiency in the Standard Chinese language for non-native speakers.
A Joseon-era gwageo answer sheet from a 31-year-old student who received a good score of chasang (차상; 次上). [ 24 ] The gwageo were supplemented in the reign of Jungjong of Joseon (1506–1544), at the suggestion of the high official Jo Gwang-jo .
This was a major argument in favor of the eight-legged essay, arguing that it were better to eliminate creative art in favor of prosaic literacy. In the history of Chinese literature, the eight-legged essay is often accused by later Chinese critics to have caused China's "cultural stagnation and economic backwardness" in the 19th century. [1] [2]
A Concise Companion to Confucius. Oxford: John Wiley & Sons. pp. 268– 285. ISBN 9781118783832. Rosemont, Henry Jr.; Roger T. Ames (2009). The Chinese Classic of Family Reverence: a Philosophical Translation of the Xiaojing. Honolulu: University of Hawaiʻi Press. ISBN 978-0824833480.
English: This is a PDF file of the Mandarin Chinese Wikibook, edited to include only the Introduction, Pronunciation and complete or somewhat complete lessons (Lessons 1-6). Does not include the Appendices, Stroke Order pages, or the Traditional character pages.
For those who still practice the traditional Confucian approach to ethics and social morality, the rectification of names has an impact in the way society is structured. According to Xuezhi Guo, "Rectification of names also implies the promotion and development of an elaborately differentiated system of status based on social obligations".
The Vinegar Tasters (三酸圖; 'three sours'; 嘗醋翁; 'vinegar-tasting old men'; 嘗醋圖, 尝醋图) is a traditional [clarification needed] subject in Chinese painting, which later spread to other East Asian countries.