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Louise Nevelson Plaza (formerly known as Legion Memorial Square), is a public art installation and park in Lower Manhattan, New York City, which includes an arrangement of large abstract sculptures designed by the American 20th-century female artist Louise Nevelson.
Carving stone into sculpture is an activity older than civilization itself, beginning perhaps with incised images on cave walls. [1] Prehistoric sculptures were usually human forms, such as the Venus of Willendorf and the faceless statues of the Cycladic cultures of ancient Greece. Later cultures devised animal, human-animal and abstract forms ...
Site specific and environmental art works are represented by artists: Andy Goldsworthy, Walter De Maria, [23] Richard Long, Richard Serra, Robert Irwin, [24] George Rickey, and Christo and Jeanne-Claude-led contemporary abstract sculpture in new directions.
In the 1960s, Pye's sculptures were abstract using metal and stone. In 1966 he had his first solo exhibition at the Redfern Gallery in London. [3] Subsequent notable shows were held at Winchester in 1979 and Aberystwyth in 1980. [4] In the 1970s, he produced abstract geometrical works using stainless steel, sometimes including kinetic aspects. [5]
Modern and contemporary art have added a number of non-traditional forms of sculpture, including sound sculpture, light sculpture, environmental art, environmental sculpture, street art sculpture, kinetic sculpture (involving aspects of physical motion), land art, and site-specific art. Sculpture is an important form of public art.
Geometric abstraction is present among many cultures throughout history both as decorative motifs and as art pieces themselves. Islamic art, in its prohibition of depicting religious figures, is a prime example of this geometric pattern-based art, which existed centuries before the movement in Europe and in many ways influenced this Western school.
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