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Their patterns are sold in over 60 countries. Their unprinted patterns ended in 1946, and were all printed thereafter. DuBarry patterns were manufactured by Simplicity from 1931 to 1946 exclusively for F. W. Woolworth Company. Vogue Pattern Service began in 1899, a spinoff of Vogue Magazine ' s weekly pattern feature. In 1909 Condé Nast bought ...
Items of clothing and jewels lost or given away by Elizabeth I between 1561 and 1583, entered in one of the day books kept for the records of the Wardrobe of Robes. 1985: Patterns of Fashion: the cut and construction of clothes for men and women 1560–1620, Macmillan 1985. Revised edition 1986. ISBN 0-89676-083-9
Typical garments were the peplos, a loose robe worn by women; the chlamys, a cloak worn by men; and the chiton, a tunic worn by both men and women. Men's chitons hung to the knees, whereas women's chitons fell to their ankles. A long cloak called a himation was worn over the peplos or chlamys.
At first producing only boy's and men's clothing patterns, the Buttericks expanded to dresses and women's clothes in 1866. Eventually, women's patterns would be offered in 13 sizes for dresses, coats and blouses, and five sizes for skirts. The Delineator, August 1894 cover. In 1867 Butterick began publishing a magazine to promote their patterns ...
The Mackinaw jacket traces its roots to coats that were made by white and Métis women in November 1811, [2] [3] when John Askin Jr., an early trader on the upper Great Lakes, hired them to design and sew 40 woolen greatcoats for the British Army post at Fort St. Joseph (Ontario), near Mackinac. His wife, Madelaine Askin, took an important role ...
Arnold, Janet: Patterns of Fashion: the cut and construction of clothes for men and women 1560–1620, Macmillan 1985. Revised edition 1986. (ISBN 0-89676-083-9) Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660.
During the early 18th century the first fashion designers came to the fore as the leaders of fashion. In the 1720s, the queen's dressmaker Françoise Leclerc became sought-after by the women of the French aristocracy, [4] and in the mid century, Marie Madeleine Duchapt, Mademoiselle Alexandre and Le Sieur Beaulard all gained national recognition and expanded their customer base from the French ...
Actress Mary Pickford with President Herbert Hoover, 1931. The most characteristic North American fashion trend from the 1930s to 1945 was attention at the shoulder, with butterfly sleeves and banjo sleeves, and exaggerated shoulder pads for both men and women by the 1940s.
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