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Narrative exposition, now often simply exposition, is the insertion of background information within a story or narrative.This information can be about the setting, characters' backstories, prior plot events, historical context, etc. [1] In literature, exposition appears in the form of expository writing embedded within the narrative.
An exciting force begins immediately after the exposition (introduction), building the rise in one or several stages toward the point of greatest interest. These events are generally the most important parts of the story since the entire plot depends on them to set up the climax and ultimately the satisfactory resolution of the story itself. [50]
A plot device is a means of advancing the plot in a story. It is often used to motivate characters, create urgency, or resolve a difficulty. This can be contrasted with moving a story forward with dramatic technique; that is, by making things happen because characters take action for well-developed reasons.
Story structure or narrative structure is the recognizable or comprehensible way in which a narrative's different elements are unified, including in a particularly chosen order and sometimes specifically referring to the ordering of the plot: the narrative series of events, though this can vary based on culture.
The first act is usually used for exposition, to establish the main characters, their relationships, and the world they live in.Later in the first act, a dynamic, on-screen incident occurs, known as the inciting incident, or catalyst, that confronts the main character (the protagonist), and whose attempts to deal with this incident lead to a second and more dramatic situation, known as the ...
Broadly defined, exposition is one of four rhetorical modes of discourse. Within the context of fiction-writing modes, exposition is used to convey information. Exposition may be used to add drama to a story, but too much exposition at one time may slow the pace of the story. [11]
A narrative work beginning in medias res (Classical Latin: [ɪn ˈmɛdɪ.aːs ˈreːs], lit. "into the middle of things") opens in the chronological middle of the plot, rather than at the beginning (cf. ab ovo, ab initio). [1] Often, exposition is initially bypassed, instead filled in gradually through dialogue, flashbacks, or
Such elements include the essential idea of narrative structure with identifiable beginnings, middles, and endings, or exposition-development-climax-resolution-denouement, normally constructed into coherent plot lines; a strong focus on temporality, which includes retention of the past, attention to present action and protention/future ...