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He now lives in Madrid, Spain, where he was the founder of the Madrid Guitar Chamber Orchestra and is President of the International Organization for Latin American Music Diffusion (GUIA). He was the Art Director of the Posadas International Guitar Festival (Argentina), the Alsace International Guitar Festival and the Morocco International ...
The Latin Rhythm Albums chart is a music chart published in Billboard magazine.The data is compiled by Nielsen SoundScan from a sample that includes music stores, music departments at electronics and department stores, internet sales (both physical and digital) and verifiable sales from concert venues in the United States. [1]
Tresillo is the rhythmic basis of many African and Afro-Cuban drum rhythms, as well as the ostinato bass tumbao in Cuban son-based musics, such as son montuno, mambo, salsa, and Latin jazz. [ 12 ] [ 13 ] The example below shows a tresillo-based tumbao from "Alza los pies Congo" by Septeto Habanero (1925).
Bossa nova (Portuguese pronunciation: [ˈbɔsɐ ˈnɔvɐ] ⓘ) is a relaxed style of samba [nb 1] developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. [2] It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band.
The Spanish tinge is an Afro-Latin rhythmic touch that spices up the more conventional 4 4 rhythms commonly used in jazz and pop music. The phrase is a quotation from Jelly Roll Morton. In his Library of Congress recordings, after referencing the influence of his own French Creole culture in his music, he noted the Spanish (read Cuban) presence:
Based on Cuban music in rhythm, tempo, bass line, riffs and instrumentation, Salsa represents an amalgamation of musical styles including rock, jazz, and other Latin American musical traditions. Modern salsa (as it became known worldwide) was forged in the pan-Latin melting pot of New York City in the late 1960s and early 1970s.
The classical version consists of a principal singer, a small chorus, two Criollo style guitar players (one picking up the tundete or tondero bass line); the "Peruvian cajon" (now used in Latin American commercial rhythms), modern flamenco and evolutionary jazz, and/or Peruvian spoon players.
American band Santana in 1971. In 1969, after the release of the debut album by Santana, the term "Latin rock" appeared in the US and other parts of the world. [32] It was an attempt to describe the band's music style as a fusion of Latin American and Caribbean rhythms, soul, jazz, funk, blues, psychedelia and rhythm and blues based on rock music.
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