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"Love Letters" is a 1945 popular song with lyrics by Edward Heyman and music by Victor Young. [1] The song appeared, without lyrics, in the film of the same name released in October 1945.
"Letters" is a song by American singer Monica. It was written by Monica, Ciara , Tasha Catour, Alicia Renee Williams and Brian "Killah B" Bates for her ninth studio album. Production on the track was overseen by Catour and Dana "Big Dane" Johnson.
"The Letter" is a song written by Wayne Carson that was first recorded by the American rock band the Box Tops in 1967. It was the group's first and most successful single, reaching number one on the record charts in the United States and Canada. It was also an international success and placed in the top ten in several other countries.
The lyrics are addressed to a lover and say that the singer is going to write a letter and pretend that it is a love letter from the lover. American Public Media's business-news program, Marketplace , uses a portion of Fats Waller 's version to open its weekly letters-from-listeners segment.
"Hello Muddah, Hello Fadduh! (A Letter from Camp)" is a novelty song recorded by Allan Sherman released in 1963. The melody is taken from the ballet Dance of the Hours from the opera La Gioconda by Amilcare Ponchielli, while the lyrics were written by Sherman and Lou Busch.
The Last Letter; The Letter (Wayne Newton song) Letter 2 My Unborn; Letter from a Thief; The Letter That Johnny Walker Read; A Letter to Elise; Letter to God (song) Letter to Me; Letter to Memphis; Letter to Nipsey; A Letter to the Beatles; A Letter to You; The Letter (Box Tops song) The Letter (Conway Twitty and Loretta Lynn song) The Letter ...
"Letters from Home" is a song written by Tony Lane and David Lee, and recorded by American country music singer John Michael Montgomery. It was released in February 2004 as the second single and title track from the album of the same name.
"Love Letters in the Sand" is a popular song first published in 1931. It began life as a poem by Nick Kenny. J. Fred Coots read the poem in the New York Daily Mirror, and obtained Kenny's permission to set the poem to music.