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  2. How Great Thou Art - Wikipedia

    en.wikipedia.org/wiki/How_Great_Thou_Art

    It has been used on major television programs, in major motion pictures, and has been named as the favorite Gospel song of at least three United States presidents. [ 24 ] This hymn was the title track of Elvis Presley 's second gospel LP How Great Thou Art (RCA LSP/LPM 3758), [ 50 ] which was released in March 1967. [ 51 ]

  3. Guitar chord - Wikipedia

    en.wikipedia.org/wiki/Guitar_chord

    The most basic three-chord progressions of Western harmony have only major chords. In each key, three chords are designated with the Roman numerals (of musical notation): The tonic (I), the subdominant (IV), and the dominant (V). While the chords of each three-chord progression are numbered (I, IV, and V), they appear in other orders.

  4. Major chord - Wikipedia

    en.wikipedia.org/wiki/Major_chord

    A major triad has a major third (M3) on the bottom, a minor third (m3) on top, and a perfect fifth (P5) between the outer notes. In harmonic analysis and on lead sheets, a C major chord can be notated as C, CM, CΔ, or Cmaj. A major triad is represented by the integer notation {0, 4, 7}.

  5. The Lord bless you and keep you - Wikipedia

    en.wikipedia.org/wiki/The_Lord_bless_you_and...

    Rutter also wrote an arrangement for soprano, alto and keyboard in F major [4] and a version for choir and orchestra. [2] In "The Lord bless you and keep you", Rutter keeps the music restrained and simple. The accompaniment first rests on a pedal point; long chords in the bass change only every half bar, while broken chords in steady quavers ...

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  8. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    There are few keys in which one may play the progression with open chords on the guitar, so it is often portrayed with barre chords ("Lay Lady Lay"). The use of the flattened seventh may lend this progression a bluesy feel or sound, and the whole tone descent may be reminiscent of the ninth and tenth chords of the twelve bar blues (V–IV).

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