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Motif description is the term that has been used for a form of dance notation; however, the current preferred terminology is Motif Notation. It is a subset and reconception of Labanotation sharing a common lexis. The main difference between the two forms is the type of information they record.
Labanotation (grammatically correct form "Labannotation" or "Laban notation" is uncommon) is a system for analyzing and recording human movement (notation system), invented by Austro-Hungarian choreographer and dancer Rudolf von Laban (1879-1958, a central figure in European modern dance), who developed his notation on movements in the 1920s.
In Laban Movement Analysis and Space Harmony (Choreutics) the same 27 direction symbols are used but they have a different conceptualization. Instead of envisaging the signs on three parallel horizontal planes (high, middle, and low levels), the direction signs are organized according to the octahedron, cube (), and the icosahedron.
A group of figures in front of a window, formed by dance students at Laban's Choreographic Institute in Berlin-Grunewald (November 1929).. Laban was the son of Rudolf Laban Sr. (1843–1907), a military governor in Pressburg (Pozsony) [2] and (from 1899) field marshal in the Austro-Hungarian Army in the provinces of Bosnia-Herzegovina, [9] and Marie (née Bridling; 1858–1926). [2]
Hutchinson Guest studied Labanotation with Sigurd Leeder at Dartington Hall in England from 1936 to 1939 and trained in modern dance and ballet. In New York, she co-founded and directed the Dance Notation Bureau, danced on Broadway and taught at the Juilliard School, the High School of the Performing Arts, the Philadelphia Dance Academy, and the Royal Academy of Dance, where she created the ...
A melodic motif is a melodic formula, established without reference to intervals. A rhythmic motif is the term designating a characteristic rhythmic formula, an abstraction drawn from the rhythmic values of a melody. A motif thematically associated with a person, place, or idea is called a leitmotif or idée fixe. [7]
This project took Bartenieff into cross-cultural studies of movement, expressed in work and dance activities. An educational film entitled “Dance and Human History” (1976) [10] demonstrates the concepts of the Choreometrics team. [11] This project was the first to adapt Laban-based movement analysis to observation of cultural/geographic ...
Mirrored motifs are commonly choreographed in such a way that the movements of one row of dancers is mirrored by corresponding movements executed by the dancers in the adjacent row. Proficient dancers are judged by the expressions of the face (smiling) and head, along with the grace and animation of hand and finger movements and smooth ...