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Fernando Llort was born in San Salvador, El Salvador, on 7 April 1949 to Baltasar Llort and Victoria Choussy. [6]Llort was always creating from a young age, whether it was ceramics with his master César Sermeño, [3] or using musicality as a means of expression, Llort was not shy of exploring many artistic practices.
1995 Remate de Pinturas y Esculturas para obras benéficas, Galería Jorge Carroza López, Santiago, Chile. 1996 Proyecto Chile Imagen, Alegría de Infancia de Benmayor, Galería Gabriela Mistral, Santiago, Chile. 1996 Muestra de Pintura Contemporánea, Primer Encuentro de la Cultura Brasil-Chile, Brasilia, Salvador de Bahía y São Paulo, Brasil.
The Asociación de Artistas Plásticos de El Salvador (ADAPES) is a prominent arts association in El Salvador. ADAPES was founded in 1980 by a group of recognized Salvadoran artists. The group's fundamental objective was initially the promotion of plastic arts in El Salvador.
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He attended high school in the Instituto Nacional de Varones and later in the Academia de Comercio, where he did not finish his studies, yet he always had good grades." His artistic vocation was already manifest at the age of 11 when one of his compositions was published in the Diario de El Salvador (Newspaper of El Salvador) by Román Mayorga ...
El Salvador's National Theater was opened in 1903. The National Theater shortly after his opening. A competition was held to choose a design for the theatre. The prizes for the first two places were 8,000 and 4,000 Francs each. The entries were reviewed by a commission composed of the engineers José E. Alcaine, Luis Fleury, and Aurelio Fuentes.
El Faro is an internationally acclaimed Central American digital news outlet founded in 1998 in El Salvador. [2] In April 2023, El Faro moved its administrative and legal operations to San José, Costa Rica, registering the newsroom as the non-profit Fundación Periódica. [3] The bulk of the newsroom is based in San Salvador, El Salvador, with ...
The Black Paintings (Spanish: Pinturas negras) is the name given to a group of 14 paintings by Francisco Goya from the later years of his life, probably between 1820 and 1823. They portray intense, haunting themes, reflective of both his fear of insanity and his bleak outlook on humanity.