Search results
Results from the WOW.Com Content Network
Leadbelly and an old man escape via a train and Leadbelly buys a twelve-string acoustic guitar from the old man. Seeking work, he takes a job picking cotton. He soon leaves on a train to Silver City where he meets Blind Lemon Jefferson and they start playing shows together.
Tommy is a 1975 British psychedelic musical fantasy drama film written and directed by Ken Russell.It was based on the Who's 1969 album of the same name, a rock opera about a "psychosomatically deaf, mute, and blind" boy who becomes a pinball champion and religious leader. [5]
CODA is a 2021 coming-of-age comedy-drama film written and directed by Sian Heder.An English-language remake of the 2014 French-Belgian film La Famille Bélier, it stars Emilia Jones as Ruby Rossi, the child of deaf adults (CODA) and only hearing member of her family, who attempts to help her family's struggling fishing business while pursuing her aspirations to become a singer.
The American TV Movie, based on a stage play by Elmer Harris, stars the deaf woman Belinda, played by hearing actor Mia Farrow. Belinda lives on a farm in Nova Scotia and is unable to communicate with others until a recently arrived hearing doctor teaches her sign language. She is raped by a local hearing man after going to a village dance.
For premium support please call: 800-290-4726 more ways to reach us
"CODA," a coming-of-age story about the only hearing member of a deaf family, will change that when it is screened with open captions that need no special equipment in all U.S. and U.K. movie ...
Amy was originally filmed as a television movie titled Amy on the Lips, and was the first television movie that Disney Studios made for an adult audience. [3] Nanette Fabray and Louise Fletcher were interested in the role of "Malvina", a teacher of deaf children. Fabray, who played the part, was hearing impaired, and Fletcher's parents were ...
Joseph Bologna and Renée Taylor wrote the first screenplay of the film and sold it to Columbia Pictures for $200,000 in 1984. They later sued the studio in the Los Angeles County Superior Court for $10 million in damages after being denied the promised additional $500,000 to be paid if Pryor were cast in the film, $25,000 per revision, and five-percent profit.