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The Main Point was a small coffeehouse venue in Bryn Mawr, Pennsylvania, that operated from 1964 to 1981.The venue hosted concerts by some of the top names in folk and traditional music, blues, rock, country music, and other musical genres, as well as comedy and poetry.
Badfish: A Tribute to Sublime is a Rhode Island–based tribute band dedicated to playing the music of Sublime. The group is named after a song appearing on the album 40oz. to Freedom . Formed in 2001 at the University of Rhode Island , the group's members, who were computer science majors, began playing local Rhode Island clubs and quickly ...
DiCesare Engler Productions was a Pittsburgh-based concert promotion firm. [1] [2] [3] [4]The company was formed in late 1973 when Pat DiCesare, who was the dominant concert promoter in the region, [5] chose Pittsburgh native Rich Engler to form a new partnership. [6]
The interior of the Kimmel Center with Marian Anderson Hall (middle) and the Perelman Theater (left) in September 2005 Interior of Marian Anderson Hall during intermission of the Philadelphia Orchestra matinee concert in May 2015. In 1986, the Philadelphia Orchestra approved a plan to construct a new concert hall to replace the aging Academy of ...
"Badfish" is in the key of A mixolydian, which is a mode of D Ionian of major scale. [1] Mixolydian modes are common in ska and reggae music. [2]The first version of "Badfish" was recorded as a student project for Michael "Miguel" Happoldt who was a recording student at the time and in a band called The Ziggens, at California State University, Dominguez Hills (CSUDH) in Carson, California in 1989.
“I swear, I just talked to God,” The Price Is Right host wrote on Monday, April 22, alongside a video of the concert. “I would give you all my money, stick my d–k in a blender and swear ...
Electric Factory Concerts remains the dominant Philadelphia concert promoter, though the brand is now owned by Live Nation Entertainment. [7] The International Association of Theatrical Stage Employees, Local 8 has called for a boycott of all Electric Factory Concert events, stating that the promoter "(undermines) the area standard." [8]
The event was organized by the ONE Campaign. It was one of the first Live 8 concerts announced, as the city had played host to its Live Aid predecessor in 1985, and, until the inclusion of a concert outside Toronto, was the only city in North America to represent Live 8. It did, however, remain the only United States city to participate in the ...