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Immanuel Kant, Critique of Judgement, Translated by Werner S. Pluhar, Hackett Publishing Co., 1987, ISBN 0-87220-025-6; Immanuel Kant, Critique of the Power of Judgment, Edited by Paul Guyer, translated by Paul Guyer and Eric Mathews, Cambridge and New York: Cambridge University Press, 2000. The Cambridge Edition of the Works of Immanuel Kant.
Kant described the relationship between these finer feelings and humanity. The feelings are not totally separate from each other. Beauty and the sublime can be joined or alternated. Kant claimed that tragedy, for the most part, stirs the feeling of the sublime. Comedy arouses feelings for beauty.
In Kant's Transcendental Idealism, Henry E. Allison proposes a new reading that opposes, and provides a meaningful alternative to, Strawson's interpretation. [14] Allison argues that Strawson and others misrepresent Kant by emphasising what has become known as the two-worlds reading (a view developed by Paul Guyer). This—according to Allison ...
The Transcendental Aesthetic, as the Critique notes, deals with "all principles of a priori sensibility." [ 21 ] As a further delimitation, it "constitutes the first part of the transcendental doctrine of elements, in contrast to that which contains the principles of pure thinking, and is named transcendental logic". [ 21 ]
It is important to note that Kant uses the term "aesthetics" ("Ästhetik") to refer to any sensual experience. [16] The work most crucial to aesthetics as a strand of philosophy is the first half of his Critique of the Power of Judgment, the Critique of the Aesthetic Power of Judgment.
Lectures on Aesthetics (LA; German: Vorlesungen über die Ästhetik, VÄ) is a compilation of notes from university lectures on aesthetics given by Georg Wilhelm Friedrich Hegel in Heidelberg in 1818 and in Berlin in 1820/21, 1823, 1826 and 1828/29.
Kant gives his first definition of an end in Critique of Aesthetic Judgement: “an end is the object of a concept [i.e. an object that falls under a concept] insofar as the latter [the concept] is regarded as the cause of the former [the object] (the real ground of its possibility).”(§10/220/105). [5] Kant characterises an end as a one ...
Immanuel Kant [a] (born Emanuel Kant; 22 April 1724 – 12 February 1804) was a German philosopher and one of the central Enlightenment thinkers. Born in Königsberg, Kant's comprehensive and systematic works in epistemology, metaphysics, ethics, and aesthetics have made him one of the most influential and controversial figures in modern Western philosophy.