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The Kamoto Mine (French: La mine de Kamoto) is an underground copper and cobalt mine to the west of Musonoi in the former Katanga Province, Democratic Republic of the Congo. [2] As of 2022, the site is the largest active cobalt mine in the world. [3] The mine includes the Luilu metallurgical plant, which accepts ore from KOV mine and Mashamba ...
Currently, Glencore owns majority stakes in Kamoto Copper Company SARL (KCC) and DRC Copper and Cobalt Project SARL (DCC), which run several copper/cobalt mines, as well as a Mutanda Mining SARL, which runs the Mutanda Mine.
The mine is also one of the world's largest Cobalt producers. [2] [3] It is named after three of the five orebodies which make up the mine: Kamoto-East, Oliveira, and Virgule (the other two being Variante and FNSR). [4] The mine is run by Kamoto Copper Company, a joint venture between Glencore (75%) and Gécamines (25%). [5]
Six major blazes around Los Angeles County have destroyed thousands of structures and forced the evacuation of at least 200,000 residents. Stunning images taken from space show the destruction ...
BAMAKO (Reuters) -The death toll from last week's accident at an artisanal gold mine in southwest Mali has risen to more than 70, the head of Mali's Mines Chamber said on state radio on Thursday.
Satellite images show the extent of the damage from Hurricane Milton, which spawned tornadoes across Florida and struck the state as a Category 3 hurricane.. The fatal storm surge that forecasters ...
The damage was severe enough to be observable in satellite images. Mutanda Mining (MUMI) initially denied that it had caused the damage, but after the Legal Aid Centre (CAJJ) investigated the damage and alerted authorities they agreed to $65,330 in compensation for crop losses to be shared among the farmers.
Valley of the Shadow of Death: 23 April 1855 Roger Fenton Sevastopol, Crimea Wet collodion negative Fenton's pictures during the Crimean War were one of the first cases of war photography, with Valley of the Shadow of Death considered "the most eloquent metaphor of warfare" by The Oxford Companion to the Photograph. [13] [14] [s 3]