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It is an update of the American Standard Version (ASV) of 1901, which itself was a revision of the 1885 Revised Version (RV), which updated the King James Version (KJV). The goal of the translation was to incorporate Hebrew and Greek texts discovered since 1901, as well as render a translation in more current English than the ASV and KJV.
Emil Julius Brach (May 11, 1859 − October 29, 1947) was the founder of Brach's Confections, an American candy company. Brach was born in 1859 in Schoenwald, Grand Duchy of Baden, to Martin and Wilhelmina Brach. [1] The family migrated to Burlington, Iowa, in 1866. As a young man, he attended Burlington Business College and then managed a ...
The New American Bible (NAB) is an English translation of the Bible first published in 1970. The 1986 Revised NAB is the basis of the revised Lectionary.In the Catholic Church it is the only translation approved for use during Mass in the United States.
Although many lists of missing verses specifically name the New International Version as the version that omits them, these same verses are missing from the main text (and mostly relegated to footnotes) in the Revised Version of 1881 (RV), the American Standard Version of 1901, the Revised Standard Version of 1947 (RSV), [1] the Today's English ...
Brach's (/ ˈ b r ɑː k s /) is a ... In 1948, an electrical spark ignited corn starch, causing a massive explosion on the plant's third floor that killed 11 ...
A box of jujubes. A recipe for "pate de jujubes" was published in 1709. [1] The recipe called for gum arabic, sugar, and the date-like jujube fruit. In 1853, both "ju ju paste" and "ju ju drops" were sold by confectioners. [2]
The New American Bible Revised Edition (NABRE) is an English-language Catholic translation of the Bible, the first major update in 20 years to the New American Bible (NAB), [4] which was translated by members of the Catholic Biblical Association and originally published in 1970. [5]
The rood on a rood screen: a crucifix on the elaborate 16th-century jube in the church of Saint-Étienne-du-Mont, Paris The rood screen was a physical and symbolic barrier, separating the chancel , the domain of the clergy, from the nave where lay people gathered to worship.