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The film also took some inspiration from visions from Catholic visionaries such as Mary of Jesus of Ágreda and Anne Catherine Emmerich. The Dolorous Passion of Our Lord Jesus Christ, a book by Clemens Brentano that details the visions of Anne Catherine Emmerich, was particularly inspiring to Gibson because it provided vivid descriptions of the ...
The Dolorous Passion of Our Lord Jesus Christ is a book published in 1833, based on the visions of Anne Catherine Emmerich, a German Roman Catholic mystic and stigmatic.The visions she experienced on the Passion of Jesus were recorded and compiled by Clemens Brentano, a German romantic poet and writer, [1] who compiled them for the book.
Emmerich, Anna Catherine. Pray the Rosary with Blessed Anne Catherine Emmerich. Edited by Scott L. Smith Jr., Holy Water Books, 2022. Emmerich, Anna Catherine. The Lowly Life and Bitter Passion of Our Lord Jesus Christ and His Blessed Mother, Sentinel, 1915 [third volume only]. Emmerich, Anna Catherine. The Dolorous Passion of Our Lord Jesus ...
Pages in category "The Passion of the Christ" The following 6 pages are in this category, out of 6 total. This list may not reflect recent changes. ...
In 1819 the poet Clemens Brentano was inspired to visit her and began to write her visions in his words, with her approval. In 1833, after her death, the book The Dolorous Passion of Our Lord Jesus Christ was released by Brentano and was used in part by Mel Gibson for his movie The Passion of the Christ in 2004.
Prior to filming, Gibson reportedly warned Caviezel that playing Jesus in his film could hurt his career. In 2011, he stated that good roles had been hard to come by since, but this movie, in particular, the role of Jesus Christ was a once-in-a-lifetime experience. The Passion of the Christ went on to take in a box office of $612.1 million. [15 ...
The Passion of the Christ is the soundtrack, on the Sony label, of the 2004 Academy Award-nominated film The Passion of the Christ starring James Caviezel, Maia Morgenstern and Monica Bellucci. The original score was composed by John Debney and conducted by Nick Ingman , with additional music by Jack Lenz . [ 1 ]
By 26 March, she was claiming the same wound accompanied by a vision of Christ bearing the cross and a similar wound on her left hand. Blood was observed on her clothing, and she no longer attempted to keep the information to herself. On Good Friday, Neumann, according to her own testimony witnessed the entire Passion of Christ in her visions ...
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