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Tchaikovsky's "Cross"-motif, associated with the crucifixion, himself, and Tristan, a variation of which first appears in mm. 1–2 of his Pathétique Symphony. [27] Tchaikovsky identified with and associated the cross-motif with "star-cross'd lovers" in general, such as in Romeo and Juliet. [27] A suggested program has been what Taruskin ...
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Ideally, Tchaikovsky's training at the Saint Petersburg Conservatory would have thoroughly equipped him to work with European principles and forms of organizing musical material, [1] just as immersion in those things might have helped him gain a sense of belonging to world culture. [2] However, Tchaikovsky was still "Russian to the marrow," as ...
Pyotr Ilyich Tchaikovsky composed his Pezzo capriccioso, Op. 62, for cello and orchestra in a single week in August 1887. Belying its title, this work is written in the somber key of B minor, the same key as the Symphony No. 6 Pathétique.
The Third, the only symphony Tchaikovsky completed in a major key, is written in five movements, similar to Robert Schumann's Rhenish Symphony, shows Tchaikovsky alternating between writing in a more orthodox symphonic manner and writing music as a vehicle to express his emotional life; [32] with the introduction of dance rhythms into every ...
2013: Tchaikovsky: Pathétique – Tchaikovsky Symphonie No. 6 Pathétique, and Selected Romances – Opus 6 and Opus 73. Rotterdam Philharmonic Orchestra conducted by Yannick Nézet-Séguin. Published by Deutsche Grammophon, 20 September 2013. [35] 2014: Bach – Lisa Batiashvili plays works by Johann Sebastian Bach and Carl Philipp Emanuel Bach.
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The article seems to carry a the same bias that is present in the Koch-Schwann liner notes for the Hoteev set, which even makes a great effort to showcase "the women of Tchaikovsky". I really have no idea whether he was gay or not but it's clear enough that some have an axe to grind in terms of making sure everyone doesn't think so.
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