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Sri Chanda Bhairavar, one of the Ashta Bhairava ("Eight Bhairavas"); whose mount is a peacock. Vikata (Vikaṭa) ("unusual form", "misshapen"), an avatar of Ganesha, whose mount is a peacock (in the Mudgala Purana). In general, feathers of mayura are considered sacred and are used to dust the religious images and implements of Hindus.
Melek Taûs, the Peacock Angel. This emblem features Tawûsî Melek in the center, the Sumerian diĝir on the left, and the domes above Sheikh 'Adī's tomb on the right. Tawûsî Melek depicted as a peacock inside the display case on the grave of a Yazidi believer, cemetery of the Yazidi community in Hannover.
[91] [92] In Greek mythology, the origin of the Indian peacock's plumage is explained in the tale of Hera and Argus. [24] The main figure of Yezidis, Melek Taus, is commonly depicted as a peacock. [93] [94] A golden peacock is considered as a symbol of Ashkenazi Jewish culture, and is the subject of several folktales and songs in Yiddish.
Literature written in Hindi-Urdu was not common prior to the 1700s. [14] In North India, rich literary cultures existed in Awadhi and Brajbhasha, with earliest Awadhi texts dating to the 14th century. [15] In Delhi, poets wrote in Persian, while Rekhta/Hindvi (what is now recognizable as Hindi-Urdu) did not have the same literary recognition. [16]
The peacock continued to represent elegance and royalty in India during medieval times; for instance, the Mughal seat of power was called the Peacock Throne. The peacock is represented in both the Burmese and Sinhalese zodiacs. To the Sinhalese people, the peacock is the third animal of the zodiac of Sri Lanka. [35]
Mahamayuri (Sanskrit: महामायूरी Mahāmāyūrī ("great peacock"), Chinese: 孔雀明王 Kǒngquè Míngwáng, Vietnamese: Khổng Tước Minh Vương, Japanese: 孔雀明王, romanized: Kujaku Myōō, Korean: 공작명왕 Gongjak Myeongwang), or Mahāmāyūrī Vidyārājñī is a bodhisattva and female Wisdom King in Mahayana and Vajrayana Buddhism.
The taus (Persian for "peacock") was designed by Guru Hargobind, who supposedly heard a peacock singing and wanted to create an instrument mimicking its sounds. The dilruba was designed by Guru Gobind Singh at the request of his followers, who wanted a smaller instrument than the taus.
The number of Urdu speakers in India fell 1.5% between 2001 and 2011 (then 5.08 million Urdu speakers), especially in the most Urdu-speaking states of Uttar Pradesh (c. 8% to 5%) and Bihar (c. 11.5% to 8.5%), even though the number of Muslims in these two states grew in the same period. [128]