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Cafe chalkboard advertising a "pre fixed" menu, an eggcorn of the French prix fixe (fixed price). An eggcorn is the alteration of a word or phrase through the mishearing or reinterpretation of one or more of its elements, [1] creating a new phrase which is plausible when used in the same context. [2]
One who succumbs to cowardice is known as a coward. [ 3 ] As the opposite of bravery , which many historical and current human societies reward, cowardice is seen as a character flaw that is detrimental to society and thus the failure to face one's fear is often stigmatized or punished.
Ambiguity effect; Assembly bonus effect; Audience effect; Baader–Meinhof effect; Barnum effect; Bezold effect; Birthday-number effect; Boomerang effect; Bouba/kiki effect
The work of Yates in particular, most notably her 1964 book Giordano Bruno and the Hermetic Tradition, has been cited as "an important starting-point for modern scholarship on esotericism", succeeding "at one fell swoop in bringing scholarship onto a new track" by bringing wider awareness of the effect that esoteric ideas had on modern science.
In contrast, X-bar theory is representational—a structure for a given construction is built in one fell swoop, and lexical items are inserted into the structure. BPS does not have a preconceived phrasal structure, while in X-bar theory every phrase has a specifier , a head, and a complement .
"Behavioral sink" is a term invented by ethologist John B. Calhoun to describe a collapse in behavior that can result from overpopulation.The term and concept derive from a series of over-population experiments Calhoun conducted on Norway rats between 1958 and 1962. [1]
Motivational intensity and arousal are related, but are considered to be separate ideas; arousal has implications for action, but motivational intensity does not and it is possible to experience high levels of arousal, but not experience motivational intensity (e.g., laughing). [3]
The New Wave's inventors (notably Michael Moorcock, J. G. Ballard and Brian Aldiss) were British socialists and Marxists who rejected individualism, linear exposition, happy endings, scientific rigor and the U.S.'s cultural hegemony over the SF field in one fell swoop. The New Wave's later American exponents were strongly associated with the ...