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In 2001 Shaggy performed with Rayvon and Rikrok at Michael Jackson's 30th anniversary the songs "Angel" and "It Wasn't Me" from Hot Shot. The album hit number one on the US Billboard 200 and UK Albums Chart. [1] As of 2007, Shaggy has sold over 20 million albums worldwide. [2]
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"Luv Me, Luv Me" is a song by Jamaican-American reggae singer Shaggy. It was first released in 1998 with Janet Jackson credited as a featured artist. The song was re-recorded in 2000 with Samantha Cole's vocals after Jackson's label withheld the song from being included on Shaggy's next album.
Bill Lamb from About.com said Shaggy "exhibits oodles of personal charm alongside the funky grooves" of "Boombastic", naming it one of the best songs from 1990s. [21] Tom Ewing of Freaky Trigger said the musician is "the benevolent monarch of this world, giving a comical, flirtatious, crowd-tickling performance, his army of mechanical ...
Origins for the album date back to March 1999, as some sites report that an album, titled the Ultimate Shaggy Collection, was released on March 23, 1999.The album included material from Shaggy's first four studio albums, as well as the original version of "Luv Me, Luv Me", which featured Janet Jackson, and three new songs—"The Reggae Virus", featuring Mad Lion and KRS One, "True Dat" and ...
The song is described as a 'high-energy dance single' with Shaggy and Pitbull providing uplifting flow verses and Gene Noble providing the chorus. [2] [3] The concept of the song is to 'show how powerful love is'. [4] Shaggy said he was inspired to write the song that brings happiness to people. [5]
"Church Heathen" is the first single from Jamaican rapper Shaggy's seventh studio album, Intoxication. The track features guest vocals from Ninjaman. The song was produced by Shaun Pizzonia and Tony Kelly, and was released on August 27, 2007.
That’s evident from the opening track and title song, a cheerfully irreverent reworking of a classic spiritual. Producer Sting International frames Shaggy’s lighthearted rapping with fat, squishy beats and unexpected samples--like a 'Carmen' aria on 'Bedroom Bounty Hunter' and the 'Peter Gunn' theme on 'Oh Carolina'."