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In music, a step, or conjunct motion, [1] is the difference in pitch between two consecutive notes of a musical scale. In other words, it is the interval between two consecutive scale degrees . Any larger interval is called a skip (also called a leap ), or disjunct motion .
Melodic motion: ascending vs. descending X conjunct vs. disjunct. Melodic motion is the quality of movement of a melody, including nearness or farness of successive pitches or notes in a melody. This may be described as conjunct or disjunct, stepwise, skipwise or no movement, respectively. See also contrapuntal motion. In a conjunct melodic ...
Most of the other terms are taken from French and German, indicated by Fr. and Ger., respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time.
A step, or conjunct motion, [21] is a linear interval between two consecutive notes of a scale. Any larger interval is called a skip (also called a leap ), or disjunct motion . [ 21 ] In the diatonic scale , [ b ] a step is either a minor second (sometimes also called half step ) or major second (sometimes also called whole step ), with all ...
For example: Jazz musicians use the term "lead" or "head" to refer to the main melody, which is used as a starting point for improvisation . Rock music , and other forms of popular music and folk music tend to pick one or two melodies ( verse and chorus , sometimes with a third, contrasting melody known as a bridge or middle eight ) and stick ...
A conjunct is one of the terms that are conjoined in a conjoining construction. Conjuncts are conjoined by means of a conjunction, which can be coordinating, subordinating or correlative. Conjuncts can be words, phrases, clauses, or full sentences. [Gretchen and her daughter] bought [motor oil, spark plugs, and dynamite].
Voice leading (or part writing) is the linear progression of individual melodic lines (voices or parts) and their interaction with one another to create harmonies, typically in accordance with the principles of common-practice harmony and counterpoint. [1]
Comes after other terms; e.g. adagio ma non tanto ("not quite at ease") ma non troppo: but not too much: Comes after other terms; e.g. allegro ma non troppo ("not too joyful") Meno: less: Comes before other terms, such as meno mosso ("less moved/agitated") Subito: suddenly, quickly: Comes before or after other terms; e.g. subito fortissimo ...