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In music, a step, or conjunct motion, [1] is the difference in pitch between two consecutive notes of a musical scale. In other words, it is the interval between two consecutive scale degrees . Any larger interval is called a skip (also called a leap ), or disjunct motion .
Melodic motion: ascending vs. descending X conjunct vs. disjunct. Melodic motion is the quality of movement of a melody, including nearness or farness of successive pitches or notes in a melody. This may be described as conjunct or disjunct, stepwise, skipwise or no movement, respectively. See also contrapuntal motion. In a conjunct melodic ...
A step, or conjunct motion, [21] is a linear interval between two consecutive notes of a scale. Any larger interval is called a skip (also called a leap ), or disjunct motion . [ 21 ] In the diatonic scale , [ b ] a step is either a minor second (sometimes also called half step ) or major second (sometimes also called whole step ), with all ...
For example: Jazz musicians use the term "lead" or "head" to refer to the main melody, which is used as a starting point for improvisation . Rock music , and other forms of popular music and folk music tend to pick one or two melodies ( verse and chorus , sometimes with a third, contrasting melody known as a bridge or middle eight ) and stick ...
An adjective applied to a melodic line that moves by step (intervals of a 2nd) rather than in disjunct motion (by leap). contralto Lowest female singing voice type contrapuntalism See counterpoint coperti (plural of coperto) covered (i.e. on a drum, muted with a cloth) corda String.
The words in this category are related to a classic cartoon. 4. These terms precede a common five-letter noun that has different meanings (hint: one definition of the noun refers to a rectangular ...
For every 3 non-theme words you find, you earn a hint. Hints show the letters of a theme word. If there is already an active hint on the board, a hint will show that word’s letter order.
Voice leading (or part writing) is the linear progression of individual melodic lines (voices or parts) and their interaction with one another to create harmonies, typically in accordance with the principles of common-practice harmony and counterpoint. [1]