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2. List of engravings by Albrecht Dürer - Wikipedia

   en.wikipedia.org/wiki/List_of_engravings_by...

   1514: Copper engraving: 116 × 75 mm: B91 St Jerome in his Study: 1514: Copper engraving: 247 × 188 mm: B60 Madonna by the Wall: 1514: Copper engraving: 147 × 101 mm: B40 Melencolia I: 1514: Copper engraving: 239 × 188 mm: B74 Virgin and Child on the Crescent Moon with a Diadem: 1514: Copper engraving: 118 × 76 mm: B33 The Apostle Paul ...

3. Meisterstiche - Wikipedia

   en.wikipedia.org/wiki/Meisterstiche

   The Meisterstiche ("master prints") by Dürer are three of his most famous engravings. They are Knight, Death and the Devil (1513), Melencolia I (1514) and St. Jerome in His Study (1514). These three large prints (about 7 by 10 inches (18 by 25 cm)) are often grouped together because of their perceived quality and unity of meaning, although ...

4. Melencolia I - Wikipedia

   en.wikipedia.org/wiki/Melencolia_I

   Melencolia I is a large 1514 engraving by the German Renaissance artist Albrecht Dürer. Its central subject is an enigmatic and gloomy winged female figure thought to be a personification of melancholia – melancholy. Holding her head in her hand, she stares past the busy scene in front of her.

5. Portrait of the Artist's Mother at the Age of 63 - Wikipedia

   en.wikipedia.org/wiki/Portrait_of_the_Artist's...

   Melencolia I, Albrecht Dürer, engraving, 1514. The art historian Christa Grössinger described the drawing as the "most affecting of all" of Dürer's portraits. [9] David Price wrote of its "rough depiction of her flesh emaciated by old age", and "existential piety in the cast of Barbara Dürer's right eye, which, almost unnaturally, directs her vision heavenward."

6. Saint Jerome in His Study (Dürer) - Wikipedia

   en.wikipedia.org/wiki/Saint_Jerome_in_His_Study...

   Saint Jerome in His Study (German: Der heilige Hieronymus im Gehäus) is a copper engraving of 1514 by the German artist Albrecht Dürer. Saint Jerome is shown sitting behind his desk, engrossed in work. The table, on the corner of which is a cross, is typical of the Renaissance.

7. Albrecht Dürer - Wikipedia

   en.wikipedia.org/wiki/Albrecht_Dürer

   The Complete Engravings, Etchings and Drypoints of Albrecht Durer. Mineola NY: Dover Publications, 1973. ISBN 0-486-22851-7; Borchert, Till-Holger. Van Eyck to Dürer: The Influence of Early Netherlandish painting on European Art, 1430–1530. London: Thames & Hudson, 2011. ISBN 978-0-500-23883-7; Wolf, Norbert. Albrecht Dürer. Cologne ...