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The song is narrated in the music video by a seasoned expatriate traveller who describes a number of experiences that are unlikely ("I met a man in Kathmandu who claimed to have two willies"), fantastical ("I've seen unicorns in Burma and a Yeti in Nepal"), absurd ("I've had a close encounter of the 22nd kind, that's when an alien spaceship ...
Videos. audiovisual Rights management association (aRma) - Established by Japan Association of Music Enterprises , Federation of Music Producers Japan , Geidankyo (meaning consortium of entertainment performers associations of Japan). Performers' Rights Entrustment (PRE) - Collects licensing fees of TV programs. Publications
To place a file in this category, add the tag {{PD-South-Africa}} to the bottom of the file's description page. If you are not sure which category a file belongs to, consult the file copyright tag page. If this category is very large, please consider placing your file in a new or existing subcategory. Free files can be moved to the Wikimedia ...
South African filmmakers also have a lack of exploitation of user rights, as it is very expensive and time-consuming to get copyright clearance for the use of historical footage and music of other works in their films, making it difficult to properly and smoothly produce their creativity in the film industry.
From critically acclaimed albums A Seat at the Table to When I Get Home, her music defies genre, blending experimental sound with deeply personal storytelling. Beyond her sonic explorations ...
"a telecommunication service of transmissions consisting of sounds, images, signs or signals, which takes place over wires or other paths provided by material substance and intended for reception by specific members of the public; and diffusion shall not be deemed to constitute a performance or a broadcast or as causing sounds, images, signs or ...
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