Search results
Results from the WOW.Com Content Network
Harold Bloom has interpreted Blake's most famous lyric, The Tyger, as a revision of God's rhetorical questions in the Book of Job concerning Behemoth and Leviathan. [12] Blake also depicted the story of Job throughout his career as an artist. The song of Enion in Night the Second of The Four Zoas also demonstrates that Blake identified with Job ...
The Visionary Heads is a series of black chalk and pencil drawings produced by William Blake after 1818 by request of John Varley, the watercolour artist and astrologer. The subjects of the sketches, many of whom are famous historical and mythical characters, appeared to Blake in visions during late night meetings with Varley, as if sitting for ...
This famous verse continues the discussion of wealth, and makes explicit what was implied in Matthew 6:21: a person cannot pursue both material goods and spiritual well-being. The two goals are mutually exclusive. This famous saying also appears at Luke 16:13, but there it comes at the end of the Parable of the Unjust Steward.
The Paintings and Drawings of William Blake. 2 vols. New Haven, CT: Yale University Press, 1981. Dunbar, Pamela (1980). William Blake's Illustrations to the Poetry of Milton. Oxford: Clarendon Press. ISBN 0-19-817345-8. Werner, Bette Charlene (1986). Blake's Vision of the Poetry of Milton: illustrations to six poems. Lewisburg: Bucknell ...
Matthew 6:1 is the first verse of the sixth chapter of the Gospel of Matthew in the New Testament and is part of the Sermon on the Mount. This verse begins the discussion of how even good deeds can be done for the wrong reasons.
Each sketch typically featured two black-and-white illustrations, as well as an illustration for the wrapper. The images were created with wood engravings or metal etchings. Dickens worked closely with several illustrators during his career, including George Cruikshank , Hablot Knight Browne (aka "Phiz"), and John Leech .
The Twelve Apostles are a common subject in Christian art and serve as a devotional tool for many Christian denominations. [1] They were instrumental in teaching the gospel of Jesus, "continuing the mission of Jesus" with their depictions continuing to serve as spiritual inspiration and authority.
Pen and brown ink with brush and brown wash, with touches of opaque white watercolor, on cream laid paper: 14.3 x 16.8 cm: Museum of Fine Arts, Boston: The drawing is related to the etching B158 : Three Men Being Beheaded: c. 1640: Pen and brown ink, corrected with white; framing lines in pen and brown ink: 15.3 x 22.6 cm: British Museum, London