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Spatiality is a term used in architecture for characteristics that, looked at from a certain aspect, define the quality of a space. [1] In comparison to the term spaciousness, which includes formal, dimensional determination of size—depth, width or height—spatiality is a higher category term.
Generally referred to as the spatial art of environmental design, interior architecture also refers to the process by which the interiors of buildings are designed to address all aspects of the human use of their structural spaces. Put simply, interior architecture is the design of an interior in architectural terms.
Viewpoints is a movement-based pedagogical and artistic practice [1] that provides a framework for creating and analyzing performance by exploring spatial relationships, shape, time, emotion, movement mechanics, and the materiality of the actor's body.
In architecture, spatial design, literary theory, and film theory—affective atmosphere (colloquially called atmosphere) refers to the mood, situation, or sensorial qualities of a space. [1] Spaces containing atmosphere are shaped through subjective and intersubjective interactions with the qualia of the architecture. [2]
Typically, the intent is for the visual hierarchy to match the intellectual hierarchy of what is intended to be more or less important. Bertin suggested that some of the visual variables, especially size and value, naturally contributed to visual hierarchy (which he termed as dissociative), while others had differences that were more easily ...
Nebamun hunting birds in the marshes using cats, fragment of a scene from the tomb-chapel of Nebamun, Thebes, Egypt Late 18th Dynasty, around 1350 BC. [1]Hierarchical proportion is a technique used in art, mostly in sculpture and painting, in which the artist uses unnatural proportion or scale to depict the relative importance of the figures in the artwork.
Certain unlike activities are antagonistic or detrimental to each other, as seen in the case of manufacturing plants and upper-class residential developments. Certain activities are unable to afford the costs of the most desirable locations, as seen in the case of low-income residential areas and high land with a much sought-after view. [17]
The term ‘critical spatial practice’ refers to forms of practice between art and architecture.Jane Rendell introduced the term in 2003. [1] Rendell later consolidated and developed the term as one that defined practices located at a three-way intersection: between theory and practice, public and private, and art and architecture.