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In architecture, spatial design, literary theory, and film theory—affective atmosphere (colloquially called atmosphere) refers to the mood, situation, or sensorial qualities of a space. [1] Spaces containing atmosphere are shaped through subjective and intersubjective interactions with the qualia of the architecture. [2]
Spatiality is a term used in architecture for characteristics that, looked at from a certain aspect, define the quality of a space. [1] In comparison to the term spaciousness, which includes formal, dimensional determination of size—depth, width or height—spatiality is a higher category term.
Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque and Rococo art in which trompe-l'œil, perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two ...
An example of the slashed type (the slash made with a razor blade) is Spatial Concept Waiting (1960, Tate, London). Although Fontana's ideas were vague, his outlook was influential, for he was one of the first, certainly the first Latin American and European artist to truly promote the idea of art as gesture or performance, rather than as the ...
Nebamun hunting birds in the marshes using cats, fragment of a scene from the tomb-chapel of Nebamun, Thebes, Egypt Late 18th Dynasty, around 1350 BC. [1]Hierarchical proportion is a technique used in art, mostly in sculpture and painting, in which the artist uses unnatural proportion or scale to depict the relative importance of the figures in the artwork.
Generally referred to as the spatial art of environmental design, interior architecture also refers to the process by which the interiors of buildings are designed to address all aspects of the human use of their structural spaces. Put simply, interior architecture is the design of an interior in architectural terms.
The term ‘critical spatial practice’ refers to forms of practice between art and architecture.Jane Rendell introduced the term in 2003. [1] Rendell later consolidated and developed the term as one that defined practices located at a three-way intersection: between theory and practice, public and private, and art and architecture.
Viewpoints is a movement-based pedagogical and artistic practice [1] that provides a framework for creating and analyzing performance by exploring spatial relationships, shape, time, emotion, movement mechanics, and the materiality of the actor's body.