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The Palm Desert Scene is a group of related bands and musicians from Palm Desert, California. Their hard rock sound – sometimes described as desert rock – contains elements of heavy metal , psychedelia , blues , punk , alternative , grunge , and other genres.
Brant Bjork and the Low Desert Punk Band; Ché; CRX; Dali's Llama [2] Desert Sessions; Eagles of Death Metal [3] Earthless; Fatso Jetson; Fu Manchu; Goatsnake; Gone Is Gone; Gram Rabbit; Hermano; John Garcia and the Band of Gold; Kyuss; Masters of Reality; Mondo Generator; Nebula; Orquesta del Desierto; Queens of the Stone Age; Slo Burn ...
The Desert Sessions are a musical collective series, founded by Josh Homme in 1997. [1] Artists such as Brant Bjork, PJ Harvey, Twiggy Ramirez, Dave Catching, Nick Oliveri, Mark Lanegan, John McBain, Ben Shepherd, Josh Freese, Chris Goss, Alain Johannes, Troy Van Leeuwen, Dean Ween, Les Claypool and many others from the Palm Desert Scene have contributed as songwriters and musicians.
The musicians often play in multiple bands simultaneously, and there is a high rate of collaboration between bands. The Palm Desert Scene is also notable for producing stoner rock pioneers Kyuss. The term "stoner rock" is sometimes used interchangeably with "desert rock." However, not all Desert Rock bands are "stoner rock."
The Vasquez Rocks, situated in the Sierra Pelona Mountains, in northern Los Angeles County, California, have been used as a setting for key scenes in many motion pictures, television shows, music videos, and video games. The following is a partial list of such multimedia in which the rock formations are included:
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Augustus Owsley Stanley III (January 19, 1935 – March 12, 2011) was an American-Australian audio engineer and clandestine chemist.He was a key figure in the San Francisco Bay Area hippie movement during the 1960s and played a pivotal role in the decade's counterculture.
This is a list of rock music genres consisting of subgenres of popular music that have roots in 1940s and 1950s rock and roll, and which developed into a distinct identity as rock music in the 1960s, particularly in the United States and United Kingdom. [1]