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"All Things Bright and Beautiful" is an Anglican hymn, also sung in many other Christian denominations. The words are by Cecil Frances Alexander and were first published in her Hymns for Little Children of 1848. The hymn is commonly sung to the hymn tune All Things Bright And Beautiful, composed by William Henry Monk in 1887.
"Lonely Lullaby" is a melancholy-influenced piano ballad [4] written and produced by Adam Young of Owl City.According to the digital sheet music published by Universal Music Publishing Group, the song was originally composed in the key of F ♯ major and set in common time to a "flowing" tempo of 67, slowing down to 57,5 BPM at the end. [6] "
William Henry Monk (16 March 1823 – 1 March 1889 [1]) was an English organist, Anglican church musician, and music editor who composed popular hymn tunes, including "Eventide", used for the hymn "Abide with Me", and "All Things Bright and Beautiful". He also wrote music for church services and anthems. [1]
Choral Music and the Church of England 1970–1995: A Study of Selected Works and Composer–Church Relations. PhD thesis. Norwich: University of East Anglia. Dakers, Lionel (1978). Making Church Music Work. Oxford and London: Mowbray. Frank, Alan (1976). "John Rutter's Partita for Orchestra". The Musical Times 117, no. 1598 (April): 309.
By the close of the 19th century, Hymns for Little Children reached its 69th edition. Some of her hymns, such as "All Things Bright and Beautiful", "There is a green hill far away" [b] and the Christmas carol "Once in Royal David's City", are known by Christians the world over, as is her rendering of "Saint Patrick's Breastplate". [7]
All Things Bright and Beautiful is the third studio album by the American electronica project Owl City. It was released on June 14, 2011, by Universal Republic Records. [5] Despite receiving mixed critical reviews, it became a commercial success, reaching No. 6 on the Billboard 200. The album's title is based on the hymn of the same name. [6]
All Creatures of Our God and King; All for Jesus, All for Jesus; All Glory, Laud and Honour; All Hail the Power of Jesus' Name; All My Hope on God is Founded; All Things Bright and Beautiful; Alleluia! Sing to Jesus; Amazing Grace; And Can It Be; And did those feet in ancient time; Angel Voices, Ever Singing; At the Name of Jesus
In The English Carol, Erik Routley notes that Mann's unaccompanied arrangement of Gauntlett's original hymn changes the character of the work into one which emphasises the acoustic space of the chapel: "with subtle art that arrangement turns the homely children's hymn into a processional of immense spaciousness." [5]
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